Reconstruction of a cubiculum in a Roman villa in Oplontis near Naples, Italy courtesy of the University of Michigan's exhibit, "Leisure and Luxury in the Age of Nero." |
"More common were assemblages consisting variously of the remains of small chests and caskets; a variety of bronze serving, pouring, and storage vessels; ceramic vessels that were usually small and of fine quality, but occasionally included large amphorae; and items related to dress, toiletries, needlework, and lighting. These were found, generally in small quantities, in thirteen to eighteen decorated rooms of this type." - Allison, Penelope M.. Pompeian Households: An Analysis of Material Culture (Monograph Book 42) (p. 72). Cotsen Institute of Archaeology Press. Kindle Edition.
Since things like toiletries and needlework sounded more "bedroom" related, I was a little confused by this conclusion but she went on to clarify it:
Actual evidence of bedding was rare, however, implying that decorated rooms of this type functioned as a type of “boudoir” rather than as a sleeping space. - Allison, Penelope M.. Pompeian Households: An Analysis of Material Culture (Monograph Book 42) (p. 72). Cotsen Institute of Archaeology Press. Kindle Edition.
In the case of the House of the Prince of Naples, though, she associates the finds there with "industrial" use, a space where craftsmanship was practiced. That actually coincides with my theory that cubiculum (c), immediately to the left of the front entrance, could have served as a physican's treatment room due to the discovery of a surgical instrument, an apotropaic figurine of a herm, and a human skeleton (as well as other surgical instruments and physician-related tools elsewhere in the house.)
However, earlier in the book Allison observes that there are multiple cases where skeletons are found in close proximity to "robber" or access holes as was the case in cubiculum (c), that I thought may have been an unsuccesfully treated patient. Allison proposes that somehow the holes may have been created by these victims of the eruption and not salvagers or looters. I'm hoping she will explore this proposal more in a later chapter.
I found other things she mentioned quite enlightening as well. She points out that 19th century archaeologists were not really interested in human remains or evidence of destroyed organic material like the wood of cabinetry or storage chests. They did make note of metal hinges, though, whenever they found those. She also said they rarely mention unmarked amphora either. I noticed that in the find summaries for the House of the Prince of Naples, only amphora with inscriptions were noted. They also virtually ignored pottery or glass fragments, too. Flinders Petrie must have been appalled!
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