The Meidias Painter: Art amidst the Peloponnesian War

The Meidias Painter was an Athenian red-figure vase painter active in the last quarter of the 5th century BCE (fl. c. 420 to c. 400 BCE). He is named after the potter whose signature was found on a large hydria, depicting the rape of the daughters of Leucippus (Leukippos), prince of Messenia, by the Dioscuri, excavated from an Etruscan tomb.  John D. Beazley, renowned connoisseur of Greek vases, said of Meidias' work, "Here there is beauty: The gleam of gold, loves and ladies with soft limbs, in soft raiment, and all that is shining, easeful and luxurious: perfume, honey and roses." 

The Meidias Painter was known for combining his theatrical “florid” style with his “flying drapery.”  He worked during the period of the Peloponnesian War and his depiction of many Attic legends, particularly those involving Erichtonios, son of Hephaistos, points to "a clear assertion of local pride prompted by the Athenians' decisive role in the fight against the barbarian" according to Jenifer Neils, Assistant Curator of Ancient Art at Case Western Reserve University.

He ranged his scenes across the entire background of most vessels, especially kraters.  This reflects the influence of monumental wall painting during this period. The Meidias Painter is thought to be one of the best pupils of the Eretria Painter, who initially popularized non-mythical scenes of Aphrodite with four to five of her richly dressed attendants, Eudaimonia (Happiness or Prosperity), Eukleia (Good Repute), Eunomia (Good Order), Eutychia (Good Luck), Harmonia (Harmony) , Hygieia (Health), Paidia (Play), and Peitho (Persuasion).   Sadly, the personification of Eirene (Peace) did not make an appearance in Greek art until the early fourth century BCE.  Instead, the Meidias Painter focused on themes of love and music instead of heroes and the battlefield, possibly as an escape from the brutality of the war engulfing his world at the time.

Read more about it: https://www.academia.edu/12707446/A_Greek_Nativity_by_the_Meidias_Painter

Attic red-figure hydria of the Leucippides depicting the Dioskuroi, Kastor and Polydeukes, in their chariots raping the Leukippides Elera and Eriphyle by the Meidias Painter, 420-400 BCE, now in the British Museum courtesy of Wikimedia contributor ArchaiOptix.

Another scene on the Attic red-figure hydria of the Leucippides by the Meidias Painter, 420-400 BCE, now in the British Museum courtesy of Wikimedia contributor ArchaiOptix.

Red-Figure Squat Lekythos (Oil Vessel) depicting the Birth of Erichthonios attributed to the Meidias Painter, 420-410 BCE, now in the collections of the Cleveland Museum of Art, image courtesy of the museum.

Attic red figure loutrophoros depicting a draped woman standing beside a groom in a wedding scene with Eros between the bride and groom painted in the "manner" of the Meidias Painter.

Attic red figure squat lekythos depicting Oedipus killing a sphinx with his spear while a seated Apollo looks on painted in the "manner of the Meidias Painter, now at the British Museum, courtesy of Wikimedia contributor ArchaiOptix.

Agamemnon seated on a rock and holding his sceptre, identified from an inscription. Fragment of the lid of an Attic red-figure lekanis by the circle of the Meidias Painter, 410–400 BCE. From the contrada Santa Lucia in Taranto. Stored in the Museo Nazionale Archeologico in Taranto (Italy), courtesy of Wikimedia Commons contributor Marie-Lan Nguyen.

Phaon and Aphrodite on an Attic red-figure clayx-krater dated from 420-400 BCE now in the collections of the Regional Archaeological Museum of Antonino Salinas courtesy of Wikimedia Commons contributor Marie-Lan Nguyen.

Attic Red-figured kylix depicting Peitho, the goddess of Persuasion, who stands addressing a woman named Demonassa, sitting in a rocky landscape looking rather dejected , 410 BCE attributed to the Meidias Painter, now in the collections of the J. Paul Getty Museum, image courtesy of the museum. 

Red-figured squat lekythos depicting female allegories with Eros in a garden, Hygieia, Pandasia with wreath and phiale, flying Eros, Eudaimonia seated, standing youth (Polyeidos or Polykles) in chlamys with 2 spears, plants. Said to be a "poor" attempt (I still thought it was beautiful) to copy the Meidias Painter by Greek ceramic expert John D. Beazley, now at the British Museum, courtesy of Wikimedia contributor ArchaiOptix.

Closeup of red-figured hydria painting depicting Phaon and women from Lesbos, 410 BCE, now in the collections of the Archaeological Museum in Florence, courtesy of Wikimedia Commons contributor Shakko.

Small hydria with Eros, carrying a tambourine, flying towards a woman, in a flowered chiton and long mantle, whose right foot is on a foot stool. Behind her a girl in a Doric chiton, seated, playing with a panther. Before the Eros an acanthus ornament. Painted in the "manner" of the Meidias Painter, end of the 5th century BCE now in the collections of the Museum of Fine Arts Boston, image courtesy of the museum.

 

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