Iron Age Warriors of Eastern Iberia

 The Iron Age Tartessian culture of southeastern Spain, previously influenced by the Phoenicians, began to transform when exposed to Greek influence during the 6th - 4th centuries BCE.  Aristocratic power increased and numerous fortified oppidums began to appear.  Referred to as the Iberian culture, the people engaged in commerce that served to reinforce aristocratic power and control.  Iberian funerary customs became dominated by Greek-style mud-brick rectangular burial mounds and their script, once a modified version of the Phoenician alphabet, began to include a variant of the Greek alphabet.  Their mythology also began to include creatures such as winged griffins, often seen in Greek art.

An early warrior figure of this period appears to fight mostly nude adorned only with what appear to be tatoos on his chest and an ornate belt.  A century later, an Iberian warrior depicted in a statue at the Los Angeles County Museum of Art dated from the 3rd to 2nd century BCE is shown wearing body armor  and helmet.  This would have been the appearance of the Iberian warriors facing the Romans who conquered the area beginning in 220 BCE.

Iron Age figure of a warrior once holding weapons 600-400 BCE southern or eastern Iberian peninsula at the Royal Ontario Museum in Toronto, Canada courtesy of the museum

Iberian warrior of the 3rd - 2nd century BCE at the Los Angeles County Museum of Art courtesy of the museum.

Recreation of an Iberian warrior from the 5th-4th century BCE, with his weapons (falcata, shield, plate bib, linothorax) courtesy of the Museo de Prehistoria de Valencia

Iberian equestrian statue 490 BCE from the Provincial Archaeological Museum of Albacete.

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Excavation of Herod monumental architecture continues in Jordan

With their findings on the mountain Tall adh-Dhahab (West) in the Jabbok Valley the archeologist Thomas Pola could substantiate one assumption: everything points to the fact that the building remains from the Hellenistic and Roman era, found in 2006, were part of a yet unknown monumental building of Herod the Great (73-4 BC).

This assumption is based on the floors of one of the discovered peristyle yards (yards enclosed by continuous columns) which the archeologists were able to excavate. Prof. Pola sees the parallels with the architecture of Herod’s West Jordan Alexandreion as prove that there also was a monumental building of Herod the Great on the plateau of the mountain Tall adh-Dhahab. That would mean that in addition to his reign over the West Jordan Land, the Jewish king had a security system with which he could have controlled the ancient long-distance traffic in the middle Jordan Valley and the access ways to the plateau of the East Jordan Land.

Above that, the team of Prof. Pola for the first time discovered a layer from the late Bronze Age or the Early Iron Age on a natural terrace directly underneath the plateau. The ruins of a tower from the city wall at least show three building phases. “On the level of the oldest building phase we took samples from a burnt layer. A C14-analysis carried out by Prof. Manfred Bayer (Physics at TU Dortmund) showed that the charcoal originates from the time 1300 to 1000 BC. At this location we will continue to work in 2008.”

Finally Prof. Pola’s team discovered the purpose of the monumental military facility half way up the mountain: it is a casemate wall. It is supposed to have been finished in Roman times. This is yet another argument for the identification of the mountain with the stronghold Amathous mentioned in the ancient world. The historian Josephus (37 to 100 AD) described Amathous as the biggest stronghold in the East Jordan Land.

Even reworking the campaign 2006 revealed a sensation: the carve-drawings which had been discovered by Dr. Batereau-Neumann, a sponsor of the project, at that time, were dated to the ninth or tenth century by the internationally renowned specialist for Middle East iconography, Prof. Othmar Keel (Universität Freiburg). According to him the two pictures, the head of a lioness and the fragment of a cultural scene, belong together. The sensation: they point to the existence of a temple on the mountain plateau in the New-Assyrian time. If you enjoyed this post, never miss out on future posts by following me by email!