Showing posts with label HBO. Show all posts
Showing posts with label HBO. Show all posts

Sunday, March 7, 2010

HBO’s Rome Gets a Big Screen Script

It looks like Bruno Heller's plans to resurrect Vorenus and Pullo in a big screen treatment of HBO's Rome is moving forward.  According to this article, a script has been written and financing has been secured for the project.  I was at least relieved to see that the story would resume just four years after the original miniseries concluded.  I had read at one point that there were rumors Heller was going to take the boys to Judea for a rendezvous with a certain messiah which, of course, didn't make any sense at all since Vorenus and Pullo would have been so old they couldn't have lifted a gladius.

According to this release, we will find them fighting the barbarians in Germania - much better!  Kevin McKidd must be juggling the project with his appearances on "Grey's Anatomy".  McKidd appears to have been much more successful than Ray Stevenson at using the popularity he gained from "Rome" to leverage his career.  His own series on NBC, "Journeyman", only lasted a year but was a good effort.  I also saw him in "Made of Honor" with Patrick Dempsey who may have helped him land a spot on "Grey's Anatomy".  Stevenson has made a few films but none that garnered much notice.  He was such a natural in his role as Pullo.  It will be good to see him back in a starring role again with a good script to demonstrate his talent as well.

 
HBO’s Rome Gets a Big Screen Script
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Tuesday, July 7, 2009

Script pending on "Rome" series movie wrapup!


I was browsing Steven Saylor's website today and saw a blurb about Bruno Heller working on a movie script for "Rome" to serve as a decent wrapup of the original HBO miniseries.

[Image: Ray Stevenson as Titus Pullo. Courtesy of HBO]

I am ecstatic! Like many "Rome" fans, I couldn't believe HBO made such a monumental mistake when they canceled the series. I guess HBO has come to that realization as well:

"The lavish period drama ran for two seasons on HBO, which co-produced the series with the BBC. With the final season of "The Sopranos" as its lead-in, the first season was solidly rated. But the show's hefty $100 million production cost presented the network with a tough call on the pickup. HBO opted for a second season to help get more value from its initial investment but not a third, effectively canceling the show in summer 2006 before the second season debuted the following January. The "Rome" sets were destroyed, and the actors were released from their contracts, making the network's decision all but irreversible.

But season 2 of "Rome" was a surprise. Although slightly lower rated than the first, the show did much better than HBO expected without its "Sopranos" lead-in (averaging roughly 6.5 million viewers, nearly the same as "True Blood"). Plus it won awards, which is important to a pay network that attracts subscribers by offering premium programming: Post-cancellation, the first season received four Emmy Awards, and then another seven Emmys were heaped upon the final season.

Suddenly "Rome" was a Greek tragedy: a successful show with no future. The broadcast nets quickly snatched up the show's leads for top fall pilots.

HBO executives have since admitted that axing the show probably was a mistake. - More: The Live Feed

Apparently, Heller is considering picking up the story some years later in Palestine.

"Heller would not discuss plot ideas, but the original series outline for "Rome" next called for the hedonistic Roman leaders to deal with the rise of a certain problematic rabbi -- a story line that would have put a new Roman-perspective spin on the Greatest Story Ever Told and potentially bring "Rome" a larger audience." - - More: The Live Feed

I'm not sure this tactic would attract any religious viewers (if that's what Heller means) unless Heller tones down the visceral reality factor in the series. I hope he doesn't do that, though, for the sake of broadening audience appeal. It's the gritty nature of the series that made it stand out from the syrupy visions of the ancient world of many previous sword and sandal flicks. Of course its outstanding production qualities certainly helped as well. It garnered emmys for art direction, cinematography, costumes, hair design (must have been all of those wonderfully outrageous styles and wigs worn by Atia!) and visual effects.

I also found a brief interview on MovieWeb with actor Ray Stevenson who played Pullo in the HBO miniseries indicating the script is nearing completion:

Is the Rome movie still moving ahead?

Ray Stevenson: Apparently so. It is no longer a smoke and mirrors rumor. The script is in full development. As you are probably aware, this is a pretty strange process. We could go into production in a year, or it could be as quick as six months. Who knows? It will happen. At least it is no longer a rumor. From what I have heard, they are nearing the end of script development. We shall see. We shall see.

How excited are you to go back and play Titus all over again.

Ray Stevenson: I can't wait to dust off the cobwebs of old Pullo. The guy is going to come in with a high body count. I love Pullo. I love him to pieces. I had such a great time playing him. And I got to do it in Italy and Rome. He is very special to me. He is a very special part of my history. I was very blessed to get that part. - More: MovieWeb
I'll keep my fingers crossed and my eyes peeled! 2010 looks like its going to be my kind of year with a "Rome" movie sequel, "Agora", a movie about Hypatia starring Rachel Weisz and a Spartacus series on Starz!
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Sunday, September 23, 2007

The Ubians

A history resource article by Mary Harrsch © 2007


I was watching my DVD set of HBO's Rome with a feature activated called "The Road to Rome". This feature displays explanatory notes about references made in the character's dialog or activities that characters are engaged in or watching.

In the episode where Vorenus and Pullo are taking an advance guard to Rome to post a notice that Caesar is on his way, the auxilliary troops that are with them are dressed in furs and carrying slashing swords. The information posted about them was that they were Ubians, a tribe of Germano-Celtic people that allied with Rome and that Caesar employed as bodyguards.

Romeo Model of a Germanic Warrior (54mm) beautifully rendered by artist Sergey Popovichenko


I had not studied anything about them before so I researched them on the web. I found an interesting article about them on The History Files website.

"The Ubii tribal name is an easy one to break down. Without the '-i' plural suffix, the proto-Germanic forms of the word are 'uba' and 'ubaraz', meaning 'up, over, above'. This was retained in Old High German as 'oba', meaning 'up, over’. The tribe seemingly were above everyone. As this wasn't meant in a geographical sense by the middle of the first century BC, it was either meant as an expression of superiority or it related to their original homeland, perhaps at the top of the Jutland peninsula. Given the German habit of using place names for tribal names, this would make sense geographically." - The History Files

It points out that Caesar's foray across the Rhine was supposedly in response to a plea from the Ubians to defend them against the Suevians (also spelled Suebians).

"As recorded by Julius Caesar in his work, Commentarii de Bello Gallico, the Tencteri and Usipetes tribes are driven out of their tribal lands in Germania by the militarily dominant Suevi. This probably places them on the middle Rhine. They force their way into the lands of the Belgic Menapii, also attacking the Condrusi and Eburones tribes. Feigning a withdrawal to lure out the Menapii, the Tencteri and Usipetes defeat them, capture their ships and occupy many of their villages for the winter. 
Caesar, alarmed at this threat to the north of territory in Gaul that he has already conquered, takes a force into the region. After much diplomatic effort and some delays, he attacks the Germanic tribes and drives them back into Germania with heavy losses. Both tribes follow the east bank of the Rhine upstream and find refuge with the Sicambri. They remain settled in these lands for much of the remainder of their existence. Caesar crosses the Rhine to follow them and to show the Germans that Romans are not afraid to stage a counter-invasion. Another reason is that a portion of the cavalry of the Usipetes and Tencteri had not been present at the recent battle. Instead they had proceeded to the territories of the Sicambri to join this tribe, remaining defiant, while uniquely amongst the peoples across the Rhine, the Ubii petition Caesar for help against the oppressive Suevi who until recently have been ruled by the powerful Ariovistus. 

A model of Caesar's Rhine bridge at the Museo nazionale della civiltà romana in Rome, Italy.
Photograph by Jona Lendering cc by-nc-sa 4.0.
 Several other tribes submit to Caesar, but the Sicambri withdraw from their territories on the advice of the Usipetes and Tencteri. Caesar remains in their lands for a few days before burning down their villages and taking their corn. He moves his forces into Ubii territory to show solidarity with them against the Suevi threat before returning to Gaul.
Having left a strong guard with the Treveri following the conclusion of their revolt, Caesar again crosses the Rhine to deal with their German supporters. The Ubii reaffirm their loyalty to him while Caesar discovers that the auxiliaries that had joined the Treveri had been sent by the Suevi. They are drawing together units of infantry and cavalry from all across their vast domain and, having learned of Caesar's approach, they withdraw to the vast wood called Bacenis (a thick forest of beech trees which has been equated with the Harz), which separates the Suevi from the Cherusci. Unwilling to follow them, Caesar fortifies the bridge that connects to the Ubii and stations twelve cohorts there." - The History Files
Wikipedia also had this information:

"They [the Ubians] were transported in 39 BC by Marcus Vipsanius Agrippa to the left bank [of the Rhine]. This was apparently at their own request, as they feared the incursions of the Suevi.

A portrait bust of Marcus Vipsanius Agrippa at The Louvre
in Paris, France.  Photo by Mary Harrsch © 2008

Agrippa founded the city of Cologne as their capital, whose Latin name Colonia Agrippensis is the origin of the current form. The Ubii remained loyal allies of Rome, and were instrumental in crushing the Batavian rebellion in 70. They seem to have been so thoroughly Romanized that they adopted the name Agrippenses in honour of their “founder”, and their later history is submerged in that of eastern Gaul as a whole."

The Oppidum Ubiorum was founded in the first century BC, on a site that had seen occupation since the Neolithic period, but it was Rome that turned it into the city of Cologne.  Public domain image courtesy of The History Files.
Gravestone of an Ubian bodyguard for Nero
Gravestone of an Ubian bodyguard for Nero.  Image courtesy of
Wikimedia Commons.
The Ubians remained loyal to Rome into the 4th century CE with many serving as personal bodyguards to the emperors.  Archaeologists have recovered a gravestone of one such body guard for the emperor Nero.

I also found this interesting legend related to the Ubians:

"The Dogs of St. Cassius

The majestic Minster of Bonn rises high above the surrounding houses. In olden times, when the tribe of the Ubians was still dwelling in that part of the country, a heathen temple stood on that very site. It had been an important place of worship for the whole Rhine valley. The Ubians offered their numerous human sacrifices there.

Some time ago the big altar of the ancient temple was excavated, and is still preserved under the name of Ara Ubiorum. Many prisoners of war and poor slaves have been slain on this mouldering stone.

When St. Helena, mother of Constantine, came to Bonn, the old heathen temple was burnt to ashes. The pious empress destroyed many sanctuaries of the idolaters, and hewed down the gigantic oaks of the sacred forest near. She built a Christian church in the same place, and dedicated it to St. Cassius.

After some time this church was enlarged and embellished. A high tower with slender spires crowned the lofty fane, and big bells hung in the steeples. For long centuries they rang in good and evil days.

Portrait Sculpture of the Empress Helena, mother of Constantine at the Capitoline Museum in
Rome, Italy.  (This 4th century CE sculpture was once thought to be Agrippina The Younger,
the mother of the Emperor Nero)  Photographed by Mary Harrsch  © 2009


In the lapse of time they saw war and peace, joy and woe passing by. They mingled their deep solemn tones with the joyful cries of the populace, when the German Emperor, Frederick the Beautiful, and Charles, Father of Bohemia, marched in splendid procession to the Minster to be crowned.

Whenever the electors of Cologne, who chose Bonn as their residence, were singing high mass in the church below, the bells joined in the Te Deum with their melodious peals.

Originally the Minster was the collegiate church of Saints Cassius and Florentius, who were Roman legionaries of the legendary all-Christian Theban Legion. The legion's garrison, according to legend, was in the Egyptian town of Thebes. Roman Emperor Maximianus Herculius ordered the legion to march to Gaul and assist in subduing rebels from Burgundy. At some point during their march, the legion refused to follow the emperor's orders either to kill fellow Christians or to worship Maximianus Herculius as a god. As a result, a large number of legionaries were martyred in Agaunum, now named Saint Maurice-en-Valais after Saint Maurice. According to legend, Saints Cassius and Florentius, who were under the command of Saint Gereon, were beheaded for their religious beliefs at the present location of the Bonn Minster.  Image courtesy of  Hans Weingartz, Wikimedia Commons CC-BY-SA-3.0-DE

But when the French had pitched their tents in Bonn and the brave warrior Brandenburg lay outside its gates, the Minster bells rang in woeful shrill sounds, for their steeple was set on fire.

Often when a thunderstorm threatened to burst the clouds, the bells gave their clear warning, and rang loudly as if they would drown the roaring of the thunder.

At midnight a thunderstorm round the old Minster is an awful thing. The legend records that as soon as the first growling of the thunder is audible, the idolaters who had dominated the minds of the Ubians during long centuries with their grim rites rise from their ancient burial places that surround the Christian church. United with the gods of darkness, they rage with shrill howlings round the grey building, where now the remains of St. Cassius are resting. They hate the pious saint whose martyrdom converted thousands of heathens.

Busts of Saint Cassius and Saint Florentius at the Bonn Minster.  Image courtesy of Wikimedia Commons.

In vindictive anger they fill the air with burning brimstone, thicken the clouds, and direct lightnings towards the quiet Minster, to devour it with fire. But the saint himself watches over his tomb.

All at once the bells ring, though no human hand has touched the ropes, and sound clearly above the infernal noise below. The spirits of the heathens cry out. "Woe to us, the saint watches, the dogs of Cassius announce us. Woe to us, the dogs of Cassius are barking!"

With these cries and with terrible maledictions they vanish into the night. For a little while the thunder is still heard in the distance, but soon a deep stillness envelops the high Minster once more. Undamaged and as serene as ever, it stands pointing majestically towards heaven.

Time however, which has destroyed so many of the old customs, has hushed the dogs of Cassius into silence The bells of the Minster sound no more of their own accord at the approach of a thunderstorm at midnight.

Yet let us hope that in spite of this, the saint watches from heaven over his town, and will preserve his sanctuary for many years to come. "

A Kindle preview of an interesting look at Drusus the Elder, one of the Roman conquerors of Germania:



Other suggested reading:

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