Showing posts with label Druid. Show all posts
Showing posts with label Druid. Show all posts

Tuesday, March 20, 2018

Review: Vindolanda by Adrian Goldsworthy

A historical resource article by Mary Harrsch © 2018


Having recently delved into Adrian Goldsworthy's "Pax Romana" which I found eminently readable and stuffed with fascinating facts and insight into the Roman world, I was excited to see that Goldsworthy had tried his hand at historical fiction when "Vindolanda" showed up in my list of audiobooks available on Audible. Without hesitation I used one of my subscription credits to purchase it and began listening to it as soon as I finished my last of eleven novels by Anthony Riches.

I realized this novel appeared to be his first effort at using his formidable knowledge about the Roman world in a fictional tale but I was not daunted by that since one of my favorite series, "Warrior of Rome", was written by a the Director of Studies in Ancient History at Oxford University, Harry Sidebottom.

Goldsworthy's protagonist, Flavius Ferox, is a prince of the Silures tribe who, as a hostage taken after the Roman conquest of Britain, was educated in Rome and inducted into the legions.

The Silures were a powerful tribal confederation that occupied what is now southeast Wales. Their first resistance to Roman conquest began in 48 CE with the help of Caratacus, a prince of the  Catuvellauni, who had fled from further east after his own tribe was defeated. The Romans, led by  Publius Ostorius Scapula, spent several years campaigning against the Silures, and found the Silures so adept at guerrilla warfare that Ostorius announced they posed such a danger that they should be either exterminated or transplanted.

After Ostorius died the Silures, still undefeated, went on to defeat the Second Legion. But, they were eventually subdued by Sextus Julius Frontinus in a series of campaigns ending about 78 CE. Of the Silures, the Roman historian Tacitus wrote: non atrocitate, non clementia mutabatur– the tribe "was changed neither by cruelty nor by clemency".

When the novel begins, Ferox is a  Centurio Regionarius, an officer responsible for local law enforcement, who has been sent to an isolated outpost within a days ride of the more formidable Roman fort at Vindolanda. We learn from his own recalled memories or from comments made by a Brigantes scout named Vindex, that Ferox has a past littered with moments of extreme bravery clouded by an irascible nature that has resulted in conflict between Ferox and his commanders, ultimately leading to his apparent banishment to this backwater post.

Ferox also appears to have a sporadic drinking problem that crops up whenever he is not kept suitably occupied. We learn his wife mysteriously disappeared some years ago and he blames himself. Whether she was kidnapped by disaffected druids or simply left for personal reasons is not made clear. This plot point was apparently introduced to justify his rather unprofessional initial behavior.
Vindex has known Ferox for some time and knows how to handle him during his despondent periods. The best medicine is loosing Ferox on the scent of a murder and fortunately, Vindex rides in with two bodies.

At this point I had to adjust my expectations for this story. I was expecting a story about a Centurion and a band of reluctant cohorts that he had to whip into shape to confront a threat from local rebels. But, I was only partly correct. As it turns out, Ferox is first and foremost, a highly skilled tracker and more of a detective type, than cohort commander. Ferox appears to have little influence on his own troops but soon leaves them anyway so I guess it doesn't matter. The only relationship he has developed is with Vindex and it is more like that between two lone wolves than the close brotherhood of centurions I had grown so accustomed to after reading eleven novels by Anthony Riches.

This lack of depth in character dynamics left me feeling detached from any of the people I met, including Ferox. So I began to struggle to become engaged in the plot.

Ferox and Vindex find evidence of a rebel war band and track the rebels to the road leading to Vindolanda. They find the rebels attacking a Roman carriage escorted by a Batavian cohort from Vindolanda. But, the Batavians are outnumbered and are being overwhelmed by scantily dressed warriors emblazoned by tatoos shaped like a horse.

At this point, I really had to struggle to remain open-minded as I had just read "Betrayal" and "Onslaught" in Anthony Riches' "Centurions" series about the Batavian Revolt in which I learned the Batavians were considered the "best of the best" Roman auxilliaries. But this was about thirty years after that time and perhaps the Batavians had lost some of their edge after being put in their place when the Romans exacted "Retribution" (the third novel in the series due out in April).

Anyway, Ferox and Vindex turn the tables and Ferox ends up saving the life of Sulpicia Lepidina, wife of the prefect of Vindolanda, Flavius Cerialis (and a real woman in history as attested to by letters that have been recovered by archaeologists there).

Ferox and Sulpicia are apparently attracted to one another and their relationship will become a subplot throughout the rest of the novel.

Ferox and Vindex return the lady and her maid to Vindolanda and confer with Cerialis about the looming rebel threat. Then Ferox and Vindex ride out to the signal tower to see why the warning signal was delayed. There they find the detachment slaughtered with the exception of one soldier who is missing. At this point Ferox begins to suspect there must be a high-ranking traitor among the Romans who is working with the enemy.

The rest of the novel follows Ferox as he tries to determine who has betrayed Rome and survive the forces of "The Stallion."

With Goldsworthy's extensive classical education, the descriptions of Roman life and military deployments is, of course, authoritative. However, sometimes the extensive descriptions actually get in the way of the story and slow the pace considerably.  I also felt the supporting characters lacked sufficient development to make the story as compelling as it could have been. I didn't know enough about the officer who turned out to be the villain to be appalled by his behavior and Goldsworthy didn't supply enough information about why his family opposed the newly minted emperor Trajan to really justify his betrayal. I also didn't think there were enough "breadcrumbs" left throughout the story so a reader could at least have an idea who the traitor might be. At the end, when all was revealed, I felt no catharsis, since I didn't have hardly a clue about who it might be anyway.

However, I do think Goldsworthy's battle scenes were visceral and authentic, reflecting his extensive study of the Roman military in action. For a first novel, it was a good effort and I do plan to give the sequel, "The Encircling Sea," a listen if it makes it to Audible.

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Tuesday, November 1, 2011

Review: Claudius by Douglas Jackson


"Claudius" by Douglas Jackson really isn't about the emperor Claudius but about his invasion of Britain as seen through the eyes of his elephant handler, a slave named Rufus and the opposing chieftain of  of the Catuvellauni tribe, Caratacus.

The story begins shortly before one of the decisive battles at a crossing of the River Medway near present-day Rochester.  We learn that Rufus is not just an experienced slave but an animal trainer for the arena once mentored by one of Rome's most famous gladiators, Cupido.  His skill attracted the attention of the Roman emperor, Caligula who gives Rufus the task of caring for the emperor's elephant.  A position he was allowed to retain after Caligula is assassinated and the emperor Claudius ascends the throne.

After I had already started  reading "Claudius", I discovered it had a prequel, "Caligula".  However, enough of Rufus' back story is provided so "Claudius" can be read stand alone without any lapses in story continuity. (I was suitably impressed by "Claudius" and have now purchased "Caligula" so will review it in the near future.)

Rufus winds up in Britain along with Beersheba (the elephant) when Claudius' freedman, Tiberius Claudius Narcissus, develops an invasion strategy to provide Claudius with a crucial military victory to strengthen his hold on the imperial purple. As part of the invasion force, however, Rufus is viewed with disdain by some of the legion's veterans.  Although his position shields him from such mundane camp chores as digging defensive ditches, a disgruntled centurion assigns him to a foraging party that is subsequently ambushed by the Britons.  Rufus is knocked senseless in the fighting and wakes up in the belly of a dreaded wicker man.
A Wicker Man photographed at the 2011 Beltain festival
by AngusKirk 

But before he can be consumed by the flames made sacred by the wild gestures of a demonical Druid, he is spotted by Caratacus, recognizing Rufus as the handler of the beast so feared by his fellow tribesmen, and is wrenched from certain death.

We find Caratacus is a thoughtful leader consumed with intellectual curiosity.  Although Caratacus doubts he can learn much about the impending battle from Rufus, he questions him for hours about the Romans, particularly the Roman emperor, in an effort to learn as much as he can about his enemy.
We also discover Caratacus' position as war leader is a tenuous one with other tribal kings jockeying for position to ensure a generous portion of any spoils that might result from future clashes.  One of the most troublesome of his coalition is his own brother, Togodumnus.

In this novel Togodumnus is in an inferior position to his brother Caratacus but historically Togodumnus is thought by some scholars to have been the king of the Catuvellauni and the kingship only passed to Caratacus after Togodumnus was killed early in the invasion.  Caratacus is shrewd and calculating here where his brother, Togodumnus, is painted as brashly impulsive, thinking little of strategy. Placing little value on unit discipline and group tactics, Togodumnus is convinced that brute force alone will ensure victory.  So Caratacus must use every relationship with other tribal chieftains he can call upon to restrain the Britons until a plan can be set into motion that will give the Britons the edge they need to overcome the Roman war machine.

Sculpture of a Druid photographed at the Louvre
by Paul Kohler 


Jackson also portrays Caratacus as politically forced to tolerate the blood-thirsty Druid priests because of their influence with many tribesman, but not particularly superstitious or appreciative of their ritual sacrifices.  This may be Jackson's way of incorporating the fierce Druids into the narrative without giving them much sway with Caratacus since there are persistent legends about Caratacus' conversion to Christianity before he is ultimately taken to Rome.

The legend with the most historical evidence surrounds one Claudia Rufina, a historical British woman known to the poet Martial ( Martial, Epigrams, XI:53 (ed. & trans. D. R. Shackleton Bailey, Harvard University Press, 1993).  Martial describes Claudia's marriage to a man named Pudens thought to be Aulus Pudens, a friend of Martial's.  Since the 17th century, this pair have been identified with the Claudia and Pudens mentioned as members of the Roman Christian community in 2 Timothy of the New Testament (2 Timothy 4:21 - "Eubulus saluteth thee, and Pudens, and Linus, and Claudia, and all the brethren.") . Some biblical scholars have further claimed Claudia was Caratacus' daughter, and that the historical Pope Linus, described in an early church document as the "brother of Claudia" was Caratacus' son. These scholars point to the basilica of Santa Pudenziana in Rome, and with which St. Pudens is associated, which they say was once called the Palatium Britannicum and was the home of Caratacus and his family.

Anyway, back to our story.  Caratacus decides Rufus will best serve the Britons by setting Rufus free to return to the Roman lines so he can report the strength of the tribes in the hope that the sheer numbers will convince  Aulus Plautius, the Roman commander, to withdraw.  But Plautius does not give withdrawal a second thought and formulates a master plan with his legates the Flavian brothers, Vespasian and Sabinus.  Rufus, as a slave,  is not privy to any of the strategy and is once more subject to the whims of Narcissus who decides Rufus and Beersheba will be part of a "river rat" Batavian cohort that is being sent upriver to outflank the Britons.  Beersheba is the lynch pin in a dangerous river crossing where she will pull leather leads tied to rafts bearing the Batavian armor and equipment.  Obviously the author decided to use a ploy mentioned by Vegetius (De re militari III.7) in the 4th century describing how the Batavians were able to ford rivers with full armor (although an elephant was not mentioned).

A Batavian cavalry mask in the collections of
the Nijmegen Museum.
The flanking maneuver was to be supported by Vespasian's Legio II Augusta but Vespasian is delayed by  fierce resistance and Rufus must join the battle line as the Batavians numbers dwindle after repeated assaults.  [SLIGHT SPOILER AHEAD] Fortunately, Rufus is a skilled swordsman thanks to his earlier friendship with the gladiator Cupido and he not only stands firm but kills Togodumnus.

As for the actual historical record, there is some confusion about the fate of Togodumnus.  Cassius Dio says Togodumnus was killed in a battle along the Thames River.  Other scholars, including Barry Cunliffe of Oxford University, point to references in Tacitus that indicate a war leader with a similar name submitted to the Romans and became a client king over the territories of the Regini, the Atrebates, the Belgae and the Dobunni with a headquarters at Chichester, the site of Fishbourne Roman Palace.  (I've actually visited the Roman remains in Fishbourne and they are very impressive!) Jackson handles this discrepency by having another British leader who sided with the Romans against Togodumnus and Caratacus formally take the name Cogidumnus as part of his alliance pact.

Claudius finally makes his appearance and symbolically leads the legions in a string of followup skirmishes where he is hailed imperator and seals his place in history.  In Jackson's story, Claudius is not the drooling, stammering, frail individual portrayed in other tales.  Claudius actually assumes an imposing military posture, looking every bit the brother of the famous general Germanicus.  Jackson also portrays Claudius as able to address the Senate without a hint of a stammer and easily able to bend the assembly to his will.

The emperor Claudius photographed at
the Museo Archaeologico di Napoli by
Mary Harrsch.
Apparently, Jackson has chosen to take Suetonius' description of Claudius with a major dose of salt and instead present a character capable of drafting authoritative legislation regulating commerce, slavery, taxes and marriage, envisioning comprehensive public works such as the development of the port of Ostia  as  well as roads, canals and tunnels and utlimately dodging numerous assassination attempts while maintaining a firm grip on the reins of power.

However,  Jackson is not as generous in his portrayal of Claudius' freedman, Narcissus, who is revealed as cunning, manipulative and utterly. The ambitious courtier uses everyone around him, including Rufus, to promote his own ends although he protests that such actions are ultimately for the good of Rome.   This portrait of Narcissus as essentially faithless to all except Claudius is consistent with his behavior reported in the ancient sources.

The ancient sources say that Narcissus conspired with Messalina to convince Claudius to execute certain individuals that Narcissus may have deemed too powerful or too influential.  But later Narcissus turned on Messalina, reporting her infidelity to Claudius and when Claudius wavered about her punishment, gave the order for her execution himself.  Afterward, fearing Messalina's son, Britannicus, Narcissus tried to convince Claudius to remarry the emperor's second wife, Aelia Paetina, so Claudius would name Faustus Cornelius Sulla Felix, the husband of Claudius' daughter with Aelia, Claudia Antonia, as heir instead of Britannicus.  But when Claudius chose to marry Agrippina instead and named her son Nero to be his heir, then Narcissus allied with Britannicus against Agrippina and Nero.  So, as in this novel, he was truly a friend to no one, only an opportunistic courtier ultimately concerned only with his own future.

Jackson employs and interesting literary device in his story that I had never seen before, too.  Narcissus betrays a minor character in the novel and the way that the plot point is injected into the story reminded me of the execution of Anne Boleyn.  I have read that when the French swordsman prepared to cut off Boleyn's head, he signaled to an assistant who made a small commotion that caused Anne to turn her head in the direction of the disturbance therefore (mercifully?) distracting her at the moment the fatal blow was administered.   In this book, the author distracts the reader with a minor little battlefield drama just before assassins deal the death blow to a character not involved in the mini-drama, jarring the reader with its unexpected suddeness.  I'll have to remember that tactic if I ever write a novel myself!

The book closes with an epilogue describing Caratacus' entry into Rome.  A passage from an epic poem by William Mason came to mind:

I was born A king and 
Heav'n who bade these warrior oaks 
Lift their green shields against the fiery sun 
To fence their subject plain did mean that I 
Should with as firm an arm protect my people 
Against the pestilent glare of Rome's ambition 
I fail'd and how I fail'd thou know'st too well 
So does the babbling world and therefore 
Druid I would be any thing save what I am
- Caractacus by William Mason, 1759



Despite years of defeat by superior forces and betrayal by a queen many thought may have been his former lover, Caratacus still walks proudly among the shouting crowds, awestruck by the magnificent architecture and opulence.  He courageously approaches the palace where he expects to be ritually strangled like the hapless Vercingetorix all those years before.  There he finally meets the emperor Claudius, and is surprised to find a rather frail-looking old man.   He must have thought:

Ye never felt the sharp vindictive spur 
That goads the injur'd warrior the hot tide 
That flushes crimson on the conscious cheek  
Of him who burns for glory
- Caractacus by William Mason, 1759

But this old man holds a defeated enemy's life in his withered hands and Caratacus has no doubt that a signal will be given to end his.   Instead Claudius gives him a chance to address the crowd expecting him to plead for his life.  But, Caratacus  simply asks "With all of this,  you covet our  huts?"

 Caractacus at the Tribunal of Claudius at Rome
Engraving by Andrew Birrell of a painting by Henry Fuseli, 1792
Historically, Caratacus was brought before the Senate where he made such an impression he was pardoned and allowed to live out his life peacefully in Rome after saying:

"If the degree of my nobility and fortune had been matched by moderation in success, I would have come to this City as a friend rather than a captive, nor would you have disdained to receive with a treaty of peace one sprung from brilliant ancestors and commanding a great many nations. But my present lot, disfiguring as it is for me, is magnificent for you. I had horses, men, arms, and wealth: what wonder if I was unwilling to lose them? If you wish to command everyone, does it really follow that everyone should accept your slavery? If I were now being handed over as one who had surrendered immediately, neither my fortune nor your glory would have achieved brilliance. It is also true that in my case any reprisal will be followed by oblivion. On the other hand, if you preserve me safe and sound, I shall be an eternal example of your clemency." - Tacitus, The Annals, translated by A. J. Woodman, 2004;

However, after he was freed, Cassius Dio says the famous Briton asked, "And can you, then, who have got such possessions and so many of them, covet our poor tents?" - Dio Cassius, Roman History, Epitome of Book LXI, 33:3c

Obiviously, the author thought a paraphrase of just the last quote would make a more elegant ending and I agree.

A note about the author:  Douglas Jackson is the assistant editor of The Scotsman in Edinburgh, Scotland.  He has spent 30 years working for various local and national newspapers around the UK.  His first up-close-and-personal experience with the Roman Empire came to him while he was a young student and spent a summer restoring a Roman marching camp at Pennymuir in the Cheviot Hills.  He has followed "Caligula" and "Claudius" with a series featuring Gaius Valerius Verrens, a tribune of the 20th Legion who faces off against Boudicca in "Hero of Rome".   In Jackson's latest novel,  "Defender of Rome,"   then Verrens is charged by Nero with capturing the leader of a new religious sect, the followers of Christus.
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