Ancient Amber

 Despite fanciful descriptions by some ancient sources like Nicias (470-415 BCE) that amber "is a liquid produced by the rays of the sun, and that these rays, at the moment of the sun's setting, striking with the greatest force upon the surface of the soil, leave upon it an unctuous sweat, which is carried off by the tides of the Ocean, and thrown up upon the shores of Germany", Roman naturalist Pliny the Elder cited sources who were well aware of amber's actual origin from tree resin.

In Book 37, section XI of Natural History, Pliny wrote:

"Amber is produced from a marrow discharged by trees belonging to the pine genus, like gum from the cherry, and resin from the ordinary pine. It is a liquid at first, which issues forth in considerable quantities, and is gradually hardened [...] Our forefathers, too, were of opinion that it is the juice of a tree, and for this reason gave it the name of "succinum" and one great proof that it is the produce of a tree of the pine genus, is the fact that it emits a pine-like smell when rubbed, and that it burns, when ignited, with the odour and appearance of torch-pine wood."

Pliny says that the German name of amber was glæsum, "for which reason the Romans, when Germanicus Caesar commanded the fleet in those parts, gave to one of these islands the name of Glæsaria, which by the barbarians was known as Austeravia". 

As an important commodity, sometimes dubbed "the gold of the north", amber was transported from the North Sea and Baltic Sea coasts overland by way of the Vistula and Dnieper rivers to Italy, Greece, the Black Sea, Syria and Egypt over a period of thousands of years. The oldest trade in amber in antiquity originated from Sicily. The Sicilian amber trade was directed to Greece, North Africa and Spain. Sicilian amber was also discovered in Mycenae by the archaeologist Heinrich Schliemann. This amber also appeared in sites in southern Spain and Portugal and its distribution is similar to that of ivory, so it is possible that amber from Sicily reached the Iberian Peninsula through contacts with North Africa. After a decline in the consumption and trade of amber at the beginning of the Bronze Age, around 2,000 BCE, the influence of Baltic amber gradually took the place of the Sicilian one throughout the Iberian peninsula starting around 1000 BCE. 

From at least the 16th century BC, amber was moved from Northern Europe to the Mediterranean area. The breast ornament of the Egyptian pharaoh Tutankhamen (c. 1333–1324 BCE) contains large Baltic amber beads. Amber was also sent from the North Sea to the temple of Apollo at Delphi as an offering.

In Roman times, a main route ran south from the Baltic coast (modern Lithuania), the entire north–south length of modern-day Poland (likely through the Iron Age settlement of Biskupin), through the land of the Boii (modern Czech Republic and Slovakia) to the head of the Adriatic Sea (Aquileia by the modern Gulf of Venice). Along with amber, other commodities such as animal fur and skin, honey and wax were exported to Rome in exchange for Roman glass, brass, gold, and non-ferrous metals such as tin and copper. As this road was a lucrative trade route connecting the Baltic Sea to the Mediterranean Sea, Roman military fortifications were constructed along the route to protect merchants and traders from Germanic raids.

Amber occurs in a range of different colors. As well as the usual yellow-orange-brown that is associated with the color "amber", amber itself can range from a whitish color through a pale lemon yellow, to brown and almost black. Other uncommon colors include red amber (sometimes known as "cherry amber"), green amber, and even blue amber, which is rare and highly sought after. As amber ages, however, it often becomes opaque and crackled. 

Amber has been crafted into jewelry and pendants since the Stone Age, from 13,000 years ago. Amber ornaments have been found in Mycenaean tombs.  However, it has also been used in folk medicine for its purported healing properties. Hippocrates and other ancient physicians used amber extracts for a wide variety of treatments. In ancient China amber was heated under specific conditions to produce oil of amber that, when combined with nitric acid, was used to produce artificial musk.

 

Amber head of a woman or goddess, Roman, 1st - 2nd century CE, now in the collections of the National Archaeological Museum of Aquileia, courtesy of Wikimedia Commons contributor Sailko.

Amber figurine of a dog, Roman, from a tomb in Aquileia, 90-110 CE, now in the collections of the National Archaeological Museum of Aquileia, courtesy of Wikimedia Commons contributor Sailko.

Amber ring with the form of a female bust, 1st century CE, in the collections of the National Archaeological Museum of Aquileia, courtesy of Wikimedia Commons contributor Sailko.

Amber figural sculpture from a tomb in Aquileia, 90 CE, now in the collections of the National Archaeological Museum of Aquileia, courtesy of Wikimedia Commons contributor Sailko.

Amber figural sculpture of a woman with a melon hairstyle from a tomb in Aquileia, 90 CE, now in the collections of the National Archaeological Museum of Aquileia, courtesy of Wikimedia Commons contributor Sailko.

Amber head of a satyr, Roman, 1st - 2nd century CE, now in the collections of the National Archaeological Museum of Aquileia, courtesy of Wikimedia Commons contributor Sailko.

Amber sculpture of winged figures, Roman, 1st - 2nd century CE, now in the collections of the National Archaeological Museum of Aquileia, courtesy of Wikimedia Commons contributor Sailko.

Carved amber bow of a fibula depicting a couple reclining on a couch, with attendant and bird at the Metropolitan Museum of Art in New York. While numerous details are Etruscan, it is impossible to identify where the artist came from and whether the figures are mortal or divine.

Amber pendant in the form of a sphinx, from south Italy, Taranto, late 6th century BCE now in the collections of the Cleveland Museum of Art.

Weight with Ram and Tiger, Early Western Han Dynasty, 3rd-2nd century BCE, Bronze inlaid with gold silver and amber that I photographed at the Portland (Oregon) Art Museum.

Amber amulet depicting a boar between two lion heads, Italic, 500-400 BCE, that I photographed at the Getty Villa.

Amber Amulet depicting a Boar's Head, Italic about 500 BCE that I photographed at the Getty Villa.

Amber amulet depicting a woman holding a child (Kourotrophos), Italic or Etruscan, 500-400 BCE, that I photographed at the Getty Villa.

Amber pendant in the form of a Satyr Head in profile, Etruscan, 525-480 BCE now in the collections of the J. Paul Getty Museum, image courtesy of the museum.

Amber bead and pendant necklace, Italic, 700-475 BCE, BCE now in the collections of the J. Paul Getty Museum, image courtesy of the museum.

Amber Gorgoneion (Medusa Head), Roman, 1st - 2nd century CE now in the collections of the J. Paul Getty Museum, image courtesy of the museum.

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Dogs, symbols of fidelity in the ancient world

 There are illustrations of dogs on the walls of caves and tombs dating back to the Bronze Age, as well as statues, children's toys, and ceramics depicting dogs.  The Ancient Greeks and Romans, contrary to the Semitic cultures, favored dogs as pets, valuing them for their faithfulness and courage.  Homer's Odyssey tells the story of Odysseus, who raised a dog called Argos, and who was the only one that recognized him when he returned home after his travels, disguised to concealed his appearance. This theme has been often depicted in ancient Greek vases, and in Roman reliefs and sculptures.  Dogs were given as gifts among lovers and kept as pets, guardians, and for hunting. 

The ancient Romans kept three types of dogs: hunting dogs, especially sighthounds, Molossian dogs like the Neapolitan Mastiff, often depicted in reliefs and mosaics with the words "Cave Canem", and small companion dogs like the Maltese, used as women's lap dogs. Greyhounds were often represented in sculptures. Large dogs were used in war by the Roman army, most often used as sentries or on patrol, although they were sometimes taken into battle arranged in attack formation. 

The earliest use of war dogs in a battle recorded in classical sources was by Alyattes of Lydia against the Cimmerians around 600 BCE. The Lydian dogs killed some invaders and routed others.   In the war waged by the Ephesians against Magnesia on the Maeander, their horsemen were each accompanied by a war dog and a spear-bearing attendant. Dogs were released first and broke the enemy ranks, followed by an assault of spears, then a cavalry charge. In 525 BCE, at the Battle of Pelusium, Cambyses II used a psychological tactic against the Egyptians, arraying dogs and other animals in the front line to effectively take advantage of the Egyptian religious reverence for animals. In 490 BCE, At the Battle of Marathon, a dog followed his hoplite master into battle against the Persians and was memorialized in a mural.  In 480 BCE, Xerxes I of Persia was accompanied by vast packs of Indian hounds when he invaded Greece.  In 281 BCE,  Lysimachus was slain during the Battle of Corupedium and his body was discovered preserved on the battlefield and guarded vigilantly by his faithful dog. In 231 BCE, Roman consul Marcus Pomponius Matho, the maternal grandfather of Scipio Africanus, led the Roman legions against hostile Sardinians. The inhabitants engaged in guerrilla warfare against the invaders so Matho used "dogs from Italy" to hunt out the natives who tried to hide in surrounding caves. In 120 BCE, Bituito, king of the Arverni, attacked a small force of Romans led by the consul Fabius, using just the dogs he had in his army. During Late Antiquity, Attila the Hun used Molossian dogs in his campaigns against the Romans and others.

Image: Ancient Roman amber sculpture of Eros and his dog at the Archaeological Museum of Udine, Italy courtesy of Wikimedia Commons contributor Giovanni Dall'Orto.  The carving may have been used as a wedding gift with the pregnant dog a symbol of marital fidelity and a wish of fertility to the bride.

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