Showing posts with label Russell Crowe. Show all posts
Showing posts with label Russell Crowe. Show all posts

Friday, October 1, 2010

Maximus vs. Achilles makes exciting face off!

This morning I received a note about a great fake movie trailer for "Star Trek vs. Star Wars" from my daily "How to Geek" subscription. The Youtube producer was so talented I couldn't help but check to see if he/she had any other remixes and found this great face off between Achilles and Maximus:

I know some ancient history enthusiasts have discussed at length whether Roman army tactics could defeat a Greek phalanx (we're split on that one - some think the maneuverability of the Roman maniple could outflank a phalanx formation but others think it would depend on the topography of the battlefield.) Of course, from the descriptions of the Greeks battlefield behavior in the Iliad, the Greeks at the time of the Trojan War didn't fight in the disciplined phalanx that was used later in Greek history.
But, history itself shows that the Romans repeatedly defeated phalanx formations:
The first encounter between a Greek phalanx and a Roman legion was the battle of Heraclea in 280, in which Pyrrhus of Epirus overcame his Italian enemies, but suffered heavy losses because the Roman army was more flexible and could replace the soldiers in the first line; they could continue to fight much longer. This flexibility was Rome's main advantage, especially when rearrangements had to be made during the battle - something that was always necessary during a fight on a hilly terrain. In June 197, at Cynoscephalae, the Roman commander Titus Quinctus Flamininus overcame the Macedonian king Philip V, and the Greek historian Polybius of Megalopolis concluded that this battle was the best example to show that legions were superior to the phalanx  (World History, 18.28-31).  - Courtesy of Livius.org
Roman Relief with gladiators. The standing Sec...Image of a Secutor (standing)  fighting a downed retiarius courtesy of  Wikipedia.As for a mano-et-mano confrontation between a seasoned Roman-trained officer and a Greek hoplite skilled in the use of a thrusting spear, I'm not so sure myself,  although it appears that the mighty Maximus is about to be victorious in this clip.  Achilles would have a much greater reach with his spear but a  full panoply of his own time period - a breastplate, greaves,  hoplon, and a tunic of stiffened linen - would weigh as much as 15 kg,  Maximus is dressed in only a ragged tunic and leather armor and armed with only a short gladius. Maximus would have speed and agility on his side like a retiarius but without the net and a longer weapon.
Russell Crowe and his character Maximus are admired as physically fine examples of an alpha male in our society but the Romans would have interpreted his lack of armament as a symbol of a demeaned status, even more than a slave.
The more skin left unarmoured and exposed, the lower a gladiator's status and the greater his perceived effeminacy. Likewise, the engulfing net may have been seen as a feminine symbol. The light arms and armour of the retiarius thus established him as the lowliest, most disgraced, and most effeminate of the gladiator types...
...There is evidence that those net-men wearing tunics, known as retiarii tunicati, formed a special sub-class, one even more demeaned than their loincloth-wearing colleagues.The Roman satirist Juvenal wrote that:
So even the lanista's establishment is better ordered than yours, for he separates the vile from the decent, and sequesters even from their fellow-retiarii the wearers of the ill-famed tunic; in the training-school, and even in gaol, such creatures herd apart….
The passage suggests that tunic-wearing retiarii were trained for a different role, "in servitude, under strict discipline and even possibly under some restraints". Certain effeminate men mentioned by Seneca the Younger in his Quaestiones naturales were trained as gladiators and may correspond to Juvenal's tunic-wearing retiarii. Suetonius reports this anecdote: "Once a band of five retiarii in tunics, matched against the same number of secutores, yielded without a struggle; but when their death was ordered, one of them caught up his trident and slew all the victors." The reaction of Emperor Caligula showed the disgust with which he viewed the gladiators' actions: "Caligula bewailed this in a public proclamation as a most cruel murder, and expressed his horror of those who had had the heart to witness it." The fate of the retiarii is not revealed. This was probably not a standard competition, as real gladiators did not surrender so easily. Rather, such tunic-wearing net-men may have served as comic relief in the gladiatorial programming. - Wikipedia
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Wednesday, July 28, 2010

Ben Hur Live spectacle comes to US in Fall 2010

The stylized naval battle in Ben Hur Live.  Image courtesy of
Art Concerts.
Somehow, I missed all the hoopla about Ben Hur Live when it made its debut in September 2009 in London's 02 arena.  So I was surprised by the announcement today that Russell Crowe has agreed to narrate the spectacle when it is presented in Sydney, Australia.  I immediately Googled the show and retrieved quite a few, unfortunately acerbic, critical reviews of the production when it was presented in London.  I must admit, though, that the images of the chariot race, naval battle and formations of staunch legionaries looked intriguing.

It took quite a few searches before I finally found a reference to the show's tour calendar indicating there would be presentations in the U.S. starting in the fall of 2010.  This sprawling spectacle includes a cast of over 400 along with over 40 horses.  Some critics complained that it didn't leave enough to the imagination or was just too "over the top", but the Times reviewer, Benedict Nightingale, was a little more charitable:


Here’s a show in the Victorian tradition of plays that brought onstage shipwrecks, volcanos, earthquakes, forest fires, collapsing bridges, floods and, in The Ruling Passion at Drury Lane, a balloon that rose from the Crystal Palace and dropped into the Channel, where its occupants, including the heroine and an escaped lunatic, were rescued by lifeboat.

The visual successes include a Jerusalem so crammed with people, from jugglers to beggars, grandees to belly dancers, that it might have been painted by Brueghel, and a battle in which skeletal ships packed with vermicular oarsmen are somewhat anachronistically attacked by what look like Somali pirates on beach-buggies. The Roman legionnaires, too, are genuinely scary as they menacingly parade in their phalanxes, even more so than gladiators who use swords, rope, and what look like long tuning forks in a well-orchestrated display of violence.

This isn’t a show that will displace the film in the memory, or make the DVD redundant, but it’s not silly, not naff, not a waste of your time and the O2’s space. I rather enjoyed it. - Benedict Nightingale, Times Online

I looked through the Times article's slideshow of images and I think I would rather enjoy it myself!  I must admit I'm not too keen on the dialog being delivered in Latin and Aramaic but I'm rather used to watching foreign films and getting the gist of what is going on even without reading the subtitles and, of course, I've watched the film version of Ben Hur so many times I know the story by heart anyway.

When I was in Rome last year, my friend and I went to the cinema one night and watched Clint Eastwood in Gran Torino dubbed in Italian with no subtitles.  Later after I returned home I ordered it from Netflix and watched the original English version and wasn't mistaken about any assumptions I had made watching it in Rome.  So I think I can enjoy Ben Hur Live, even if I can't understand the dialog.  I'm sure the production company will get someone suitable here to narrate.  It would be fantastic if Russell Crowe would do the narration for the US tour but that's probably more than I can hope for.

Like most topics, I was able to find quite a few short clips of the show when it appeared in London on You Tube.  Here is one of the better ones:



This interview with Steve Copeland about his work on the show's music has a lot of nice still images as well:




I didn't find a list of US venues although from the looks of the show it obviously requires quite a large arena space. I do hope at least one west coast performance is planned. I would happily fly to San Francisco or L.A. to see it.  After all, a person needs to see at least one Roman spectacle in their lifetime, right?

Ben-Hur (Four-Disc Collector's Edition)   Ben Hur (Animated)   Ben-Hur: A Tale of the Christ    
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Saturday, October 18, 2008

Tomb of Marcus Aurelius' Favorite General uncovered near Rome

"Italian archaeologists have discovered the tomb of the ancient Roman hero believed to have inspired Russell Crowe's character in the hit movie "Gladiator," Rome's officials announced on Thursday at a press conference.

Marble beams and columns, carvings and friezes first emerged from the Roman soil during construction work to build a residential complex in Saxa Rubra, not far from the headquarters of Rai, Italy's state-run television station.

According to Cristiano Ranieri, an archaeologist who led the excavation at the site, the huge fragments belonged to a monumental marble tomb built on the banks of the Tiber River at the end of the second century A.D.

Further excavation revealed a huge marble inscription that declares the tomb belonged to Marcus Nonius Macrinus, a general and consul who achieved major victories in military campaigns for Antoninus Pius, the Roman emperor from 138 to 161 A.D., and Marcus Aurelius, emperor from 161 to 180 A.D.

Born in Brescia in northern Italy in 138 A.D., Macrinus was one of the emperor's favorite men (his villa on the shores of Lake Garda is currently under excavation). He was consul in 154 A.D. and proconsul of Asia in 170 to 171 A.D (consuls were the highest civil and military magistrates in Ancient Rome).

The life of Marcus Nonius Macrinus is believed to have inspired the fictional character Maximus Decimus Meridius in Ridley Scott's film. In the movie, Meridus, also a general and a favorite of Marcus Aurelius, fell from grace after the emperor's death and ended up in exile in North Africa — to return as a gladiator and take revenge.

"We know that the area was subjected to frequent floods in ancient times. Just like Pompeii, a disaster helped preserve the monument. After a particularly strong flood, the mud from the river basically sealed the collapsed marble blocks," Rossi said.

While the construction work for the residential complex has been halted, Rome's officials plan to first reassemble the tomb in a 3-D model, and then fully reconstruct it as the centerpiece of a public archaeological display now underway in the area." ...More

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