Showing posts with label Roman Republic. Show all posts
Showing posts with label Roman Republic. Show all posts

Friday, April 2, 2021

Veristic portraiture

 Verism first appeared as the artistic preference of the Roman people during the late Roman Republic (147–30 BCE) and was often used for Republican portraits or for the head of “pseudo-athlete” sculptures. Verism, often described as "warts and all," shows the imperfections of the subject, such as warts, wrinkles, and furrows. It should be clearly noted that the term veristic in no way implies that these portraits are more "real." Rather, they too can be highly exaggerated or idealised, but within a different visual idiom, one which favours wrinkles, furrows, and signs of age as indicators of gravity and authority. Age during the Late Republic was very highly valued and was synonymous with power, since one of the only ways to hold power in Roman society was to be part of the Senate. Yet to be in the Senate, a Roman patrician had to be at least forty-two years of age, which in ancient times was considered a mature stage of life.

It is debated among scholars and art historians whether these veristic portraits were truly blunt records of actual features or exaggerated features designed to make a statement about a person's personality. It is widely held in academia that in the ancient world physiognomy revealed the character of a person. Thus, the personality characteristics seen in veristic busts could be taken to express certain virtues very much admired during the Republic.

Verism, while the height of fashion during the Late Republican era, quickly fell into obscurity when Augustus and the rest of the Julio-Claudian dynasty (44 BC-68 CE) came to power. During this imperial reign, Greek Classical sculpture that featured "eternal youth" was favored over verism. It wasn't until after the suicide of Nero in 68 CE that verism was revived.

During the Year of the Four Emperors (68-69 CE) that resulted from Nero's suicide, when Galba, Vitellius, and Otho all grappled for the throne, verism made a resurgence, as seen in obverse portraits of Galba on bronze coins or marble busts of Vitellius. When Vespasian and his sons came to the throne the Flavian dynasty harnessed verism as a source of propaganda. Scholars believe that Vespasian used the shift from the Classical style to that of veristic portraiture to send a visual propagandistic message distinguishing him from the previous emperor. Vespasian's portraits showed him as an older, serious, and unpretentious man who was in every respect the anti-Nero: a career military officer concerned not for his own pleasure but for the welfare of the Roman people, the security of the Empire, and the solvency of the treasury.


Image: Portrait Head of a Man, Roman, late 1st century BCE, at the J. Paul Getty Museum. In the veristic style, the face is riddled with lines, grooves, and crevices. Several of these lines are carved into the cheeks and jowls and the flesh around the nose is sagging. The nose itself is bulbous and deeply lined with large nostrils. The eyes are small and narrow with bags underneath and crow's feet at the corners. The eyebrows are modeled and indicated by hatch marks. Three deep vertical furrows appear above the ridge of the nose and the mouth is downturned with deep lines in the corners. The ears are large and the hair is receding, rendered as quite short with hatch marks. The neck is very short with a number of folds. The top of the head is a roughly worked, sloping plane with an iron dowel in the center. 

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Thursday, July 19, 2018

Review: The Throne of Caesar by Steven Saylor

A historical resource article by Mary Harrsch © 2018



Gordianus "The Finder," with his 66th birthday approaching, now spends much of his day relaxing in his peristyle garden reading and sipping a cup of the best vintage he can afford.  But some of his old clients can't seem to let him slip away into anonymity.  First Tiro, Cicero's secretary, comes knocking with a request for Gordianus to call upon his master.  Then Meto, Gordianus' oldest adopted son and trusted officer in the service of Gaius Julius Caesar, pays his father a visit. Caesar, now ruling dictator of Rome, also wishes to consult with the old "Finder".

So, we are once more immersed in the politics of a crumbling Roman Republic as Gordianus must brush the cobwebs from his tired brain and consider a list of possible suspects who may be contemplating the assassination of the most powerful man in the Mediterranean world. To help him do this, he decides to retreat to one of his favorite hangouts, the Salacious Tavern, and banter with his old friend Helvius Cinna, the most renowned poet in Rome.

When I began reading this book, I had heard that this was to be the capstone of Steven Saylor's Roma Sub Rosa series. The pace of the novel is leisurely with Gordianus reminiscing about old cases and now dimly remembered characters who once played a role in his life as he meets with famous historical personalities like Cicero, Caesar, Cleopatra, Calpurnia, Cassius, and Brutus . I must admit this was a bit jarring, at first, for me having just read eleven of Anthony Riches' action-packed novels of the Roman Army.  But, I realized that the author was using this opportunity to remind us of why this period of history and this civilization was so memorable, carefully evoking the atmosphere and lifestyles of its inhabitants.

Saylor also spends a significant portion of the book revisiting Greco-Roman mythology and its role in Roman poetry.  Some readers may consider this a bit of an indulgence by the author. But as it turns out, myth is central to the final plot twist.

Mystery has always been the centerpiece of Saylor's novels and this one would be no different. We are given the chance to experience Caesar's fate through the eyes of Gordianus but it is not his death that will take center stage in the novel's climax.

It did appear to me that, sadly, Gordianus' powers of observation have lost some of their acuity and was a painful reminder of the decline I have experienced as advancing age has made its effects felt.  This is made a little more pronounced by the author's third person asides pointing out suspicious behaviors of the conspirators that seemingly went unnoticed. I am just two years older than the fictional hero and found myself cringing each time he referred to himself as an old man.

Fulvia depicted as Phrygia Eumeneia on a coin minted in 41-40 BCE


But, I appreciated the opportunity to explore the characters and motivations of such historical figures as Antony and Fulvia as the story within a story unfolded.  We find Antony is not just the bull-necked riotous playboy often depicted in Octavian's propaganda but a skilled orator and seemingly conscientious, though pragmatic, Roman politician.  In Fulvia, we find a woman not only driven by ambition but a forceful feminist who has learned how to balance Roman-prescribed pudicitia with power obtained from a carefully managed relationship with her marital partner.

So, be forewarned that this is not just a retelling of Caesar's final days, but an evaluation of relationships, missed opportunities, the power of literature, and the weight of responsibility even the "elderly" have to family, to friends and to society.




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Wednesday, September 3, 2014

Review: Hannibal: Enemy of Rome by Ben Kane

A history resource article by  © 2014


It's been a busy summer but I finally finished the first book in bestselling author Ben Kane's series about the Hannibalic Wars entitled "Hannibal: Enemy of Rome".  As in his popular "The Forgotten Legion", Kane has used young men on the cusp of manhood as his primary characters.

We first meet Hanno, a young Carthaginian who hopes to become a soldier like his father, Malchus, once was.  Now, Malchus serves on the council in Carthage and, although Malchus drags Hanno to the council meetings so he may learn statecraft, Hanno finds the meetings a bore and prefers to skip out and go fishing with his best friend, Suniaton, the son of a high priest.

We also briefly meet Hanno's two older brothers, Sapho and Bostar who presently serve as officers in the Carthaginian army.  We discover that Sapho, the eldest, is jealous of Bostar because Bostar has been promoted above him because of Bostar's superior tactical acumen.  Sapho's jealousy also extends to a lesser degree to Hanno, who, as the youngest, has captured his father's heart after the death of Hanno's mother.

A painting of the intricate harbor and ancient city of Carthage.  Image
courtesy of the Carthage Archaeological Museum, Tunis, Tunisia.
Kane provides a vivid description of the capital of Carthage, still majestic even after suffering defeat at the hands of the Romans in the First Punic War.  But all is not well as Carthage and Rome have once more butted heads in Iberia where Carthage has conquered most of the peninsula and the town of Saguntum, fearful of the growing Carthaginian presence in the region, has appealed to Rome for help.

Malchus supports the Barca family and clearly expects Hannibal, the senior Barca commander, to exact "payback" from the Romans for their past offenses to Carthage.

Meanwhile, Hanno and Suniaton hear of a large run of tunny (tuna), and can't resist trying their luck so they can earn a little spending money.  They set off in a small boat that they soon fill with fish.  Suniaton has pilfered a bottle of wine from his father's wine cellar and they decide to celebrate their good luck.  Soon they fall asleep in the warm sun so do not see an approaching storm.  When the violence of the storm finally awakens them they find they have been swept far out to sea and cannot see the outline of Carthage in any direction.  As they were only on an afternoon outing they have no supplies and soon are famished from thirst and hunger.  Finally they see a ship on the horizon and think they are saved.  But the ship is manned by pirates who see the two boys as nothing more than slaves that can be sold for a profit.

To make matters worse, a patrol ship makes the pirate captain decide to avoid Sicily and steer to Italy instead.  When the ship arrives in Italy the two boys are marched off towards Capua where it is hoped they will be sold to a gladiator school.

But Hanno is purchased by a Roman equestrian family that runs a farm near Capua instead.  Then we meet Quintus and Aurelia, the son and daughter of Fabricius, once a Roman cavalry officer and now a landowner who raises grain and livestock.

A Roman villa rustica excavated near the ancient town of Boscoreale
north of Naples, Italy
.  Photo by  © 2007.
Now we find out what Roman life is like for this semi-retired military veteran and his family. I really like the way Kane gives us thorough backgrounds on all of these characters so we have a solid understanding of the similarities and differences that separate the two cultures.

Hanno and Quintus who are almost the same age become friends and as the plot unfolds, each saves the other's life, making their bond even stronger.

In the meantime, since Rome does not send assistance, Saguntum subsequently falls to Hannibal's forces. So talk of war with Carthage soon dominates the conversations at the villa.  Quintus begins cavalry training and Quintus' father, Fabricius is soon ordered to join Roman forces in southern Gaul marching towards Iberia where the Romans plan to confront Hannibal.

With Fabricius gone, the villa overseer, who lost his wife and children to Carthaginians on Sicily and harbors hatred for Hanno, attempts to drag Hanno away to Capua where he plans to sell the youth to the lanista at the gladiator school for an arranged fight to the death with Hanno's friend Suniaton.  But I don't want to give away much more of the plot so you'll have to read it for yourselves to find out what happens.

Remains of the amphitheater at Capua.  Image courtesy of
Flickr user .
Eventually, Hanno and Quintus both end up serving in their respective armies after Hannibal successfully crosses the Alps and the two armies end up camped across the Trebia River from each other.
Having studied the Second Punic War to some extent, I was wondering how Quintus and his father were going to escape the slaughter that I knew was about to befall them.  Kane does such a good job of characterization that at this point in the book I cared about both the Carthaginian family and the Roman family equally.

The climactic battle sequence was nothing short of breathtaking.  What I liked the most was Kane's description of the scenes and terror each character saw around them and felt as the epic struggle unfolded - Hanno and his father fighting with the Libyan spearmen near the center of the Carthaginian line while Quintus and his father struggled with the Roman cavalry on the flanks.

The Gauls, who had been previously allied with the Romans, joined Hannibal at the Battle of the Trebia River and were placed at the Carthaginian center.  Although fierce, the Gauls could not hold back the disciplined Roman legionaries who fought through the center then retreated back to Placentia (Modern day Piacenza).  Image courtesy of Total War: Rome II by .
I appreciate the fact that Kane does not attempt to "take sides" on the historical controversy over whether Scipio tried to warn Sempronius Longus against the ill-fated attack or not.  Polybius claims he did but many scholars look askance at this report since Polybius and the Scipios were closely allied.  These scholars also point to the reported number of Roman troops involved in the engagement as problematic.  Livy records there were 18,000 Romans and 20,000 Italic allies involved.  Polybius claims there were 16,000 Romans and 20,000 Italic allies.

"The numbers stated to have fought the battle are problematic: a combined Roman army should have had 5 legions of 20,000 men and all 30,000 allies authorized by the Senate and yet if the armies were not combined Sempronius should have had only two legions of 8,000 men. One answer is that Scipio gave up two legions and kept one and 20,000 auxiliaries in his own camp as a reserve. Livy seems to think that Scipio's wound gave the entire authority to Sempronius, but immediately after the battle Scipio commanded an army marching from his camp to Placentia. If Scipio could command after the battle then he was not so incapacitated as to be removed from command before it. Both authors agreed that the two consuls had sharp differences of opinion and that Sempronius acted on his own." 
"It is possible that the authors doubled the number of Roman legions fighting the battle and that Sempronius had only 8,000 or 9,000 Roman infantry. The authors both relate, however, that a mass of 10,000 men broke out of the Carthaginian encirclement and fell back on Placentia. Tiberius apparently did have more than two legions. Scipio argues in the story that Sempronius' men needed the winter to train, suggesting that on the way to north Italy Sempronius may have raised two more legions of recruits, throwing them into battle under difficult physical circumstances against expert advice without training. There is no mention of any such events, however." 
"Yet another hypothesis for reconciling the numbers cited by Livy for combined strength of the two consular armies and the actual number of participants in the battle of the Trebia would be that Sempronius detached part of his allied contingents for garrison duty on Sicily and for naval service with Marcus Aemilius and Sextus Pomponius. Some allowance should also be made for non-combat losses. The strength of this hypothesis lies in the maximum use of ancient evidence." - The Battle of the Trebia, Wikipedia
Since this crucial bit of evidence relies on theory rather than certainty, Kane's decision to sidestep the issue was certainly reasonable.  He does, however, relay to us the impatience expressed by the troops themselves over Scipio's apparent hesitance to act while recuperating from his wounds.

A beautiful 17th century ivory rendering of Scipio fighting Hannibal by  currently on display at the royal castle in Warsaw, Poland. This is probably a depiction of the Battle of Zama where Scipio Africanus defeated Hannibal. Publius Cornelius Scipio (the elder) lost to Hannibal at the battle of the Ticinus River but that was primarily a cavalry engagement and war elephants were not involved.  This work has also been called Alexander's defeat of Porus.  Image courtesy of S.F. Burgerer via Wikimedia Commons.  Digitally enhanced by Mary Harrsch.
I am definitely looking forward to the next book in this exciting trilogy.  The only criticism I would have is that the title makes it sound like the book is about Hannibal himself.  Although the key events in the latter part of the book are the result of Hannibal's orders, Hannibal himself appears only infrequently in the narrative.  It perhaps would have been somewhat more accurate to name the series "The Hannibalic Wars" with the subtitle "Enemy of Rome" (Book One).  But I can certainly understand the choice of title from a marketing perspective since some people may not actually make the connection between "Hannibalic Wars" and Hannibal.

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Monday, July 23, 2007

Julius Caesar Study Guide

A history resource article by  © 2007

A bronze bust of Julius Caesar photographed
near the Forum Romanum in Rome, Italy
by Mary Harrsch © 2005
N.S. Gill from About.com has put together a number of references for students studying Julius Caesar:

"Julius Caesar (July 12/13, 102/100 B.C. - March 15, 44 B.C.) may have been the greatest man of all times. By age 39/40, Caesar had been a widower, divorce, governor (propraetor) of Further Spain, captured by pirates, hailed imperator by adoring troops, quaestor, aedile, consul, and pontifex maximus -- a lifelong honor usually reserved for the end of a man's career. What was left for his remaining 16/17 years? That for which Julius Caesar was most well known: the Triumvirate, military victories in Gaul, the dictatorship, civil war, and, finally, assassination.

Julius Caesar was a general, a statesman, a lawgiver, an orator, an historian, and a mathematician. His government (with modifications) endured for centuries. He never lost a war. He fixed the calendar. He created the first news sheet, Acta Diurna, which was posted on the forum to let everyone who cared to read it know what the Assembly and Senate were up to. He also instigated an enduring law against extortion." - N.S. Gill
A Kindle preview of a recent biography:


Other suggested reading:

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