Bust of a Boy or Eros with the Attributes of Herakles, 150-100 BCE, Roman Period Greece

This thinly-cast bust depicts a youth wearing a lion-skin over his head and a quiver strap across the chest. The figure has delicate features and fine hair that is drawn up in a braid with tendrils falling onto his forehead. The figure may depict a young Herakles, or an unidentifiable youth in the guise of the great hero. A third possibility is that this young man is Eros, who was often depicted with attributes associated with Herakles. Two small holes at the bottom edge may have been used to attach this bust to a piece of furniture. 

While in wealthy households beds were used for sleeping in the bedrooms (lectus cubicularis), and couches for banqueting while reclining were used in the dining rooms (lectus tricliniaris), the less well off might use the same piece of furniture for both functions. The two types might be used interchangeably even in richer households, and it is not always easy to differentiate between sleeping and dining furniture. The most common type of Roman bed took the form of a three-sided, open rectangular box, with the fourth (long) side of the bed open for access. While some beds were framed with boards, others had slanted structures at the ends, called fulcra, to better accommodate pillows. The fulcra of elaborate dining couches often had sumptuous decorative attachments featuring ivory, bronze, copper, gold, or silver ornamentation.

Bust of a Boy with the Attributes of Herakles, 150-100 BCE, Greek, now part of the collections of the J. Paul Getty Museum on view at the Getty Villa in Pacific Palisades, California.  Image courtesy of Bruce White Photography.

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The Zeugma Mosaic Museum

The Zeugma Mosaic Museum  in the town of Gaziantep, Turkey, the biggest mosaic museum in the world, containing 1700m2 of mosaics opened to the public on 9 September 2011,  Named for its pontoon bridge of boats that crossed the Euphrates River at that location, Zeugma was founded as Seleucia by Seleucus I Nicator, one of the general successors of Alexander the Great, in the early 3rd century BCE.  By 64 BCE, the Romans controlled the city and Zeugma became a military base and thriving commercial center with a population of about 70,000 people. In 253 CE, it was destroyed by the Sassanids, but was later rebuilt.  However, continuing raids by the Persians and Arabs led to its abandonment in the 7th century CE.

The mosaics, remained relatively unknown until 2000 when plans for new dams on the Euphrates meant that much of Zeugma would be flooded. Many of the mosaics remain covered and teams of researchers continue to work on the project to rescue them.

In addition to the mosaics featured here, more can be seen at:

https://commons.wikimedia.org/wiki/Category:Ancient_Roman_mosaics_in_the_Zeugma_Mosaic_Museum_(Gaziantep)

This incredible mosaic known as the Eros and Psyche Mosaic from the 2nd-3rd century CE was found at the Poseidon Villa at Zeugma. Depicted in astonishing detail is Eros, preparing Telete for marriage. According to Apuleius, the jealous Venus commanded her son Cupid (the god of love) to inspire Psyche with love for the most despicable of men. Instead, Cupid placed Psyche in a remote palace where he could visit her secretly and, by his warning, only in total darkness. One night Psyche lit a lamp and found that the figure at her side was the god of love himself. When a drop of oil from the lamp awakened him, he reproached Psyche and fled. Wandering the earth in search of him, Psyche fell into the hands of Venus, who imposed upon her difficult tasks. Finally, touched by Psyche's repentance, Cupid rescued her, and, at his instigation, Jupiter made her immortal and gave her in marriage to Cupid. This is a floor mosaic from the presence chamber in the Poseidon villa, representing the moment Psyche and her lover rejoin.  Courtesy of Carole Raddato.

The Achilles Mosaic was at the bottom of a pool with a waterspout in the impluvium of the Poseidon Villa in Zeugma. Achilles has been sent by his parents to a friend-King's palace where he even dresses up as a woman. Odysseus wants to find him, an plays a trick to find him amongst the "women": he brings fine gifts of clothing, jewellery, but also fine weaponry. The one to grab that must be Achilles. Here he's found out.  Courtesy of Wikimedia Commons contributor and friend, Dick Osseman.

The Andromeda Mosaic.  Perseus was the son of Zeus and Danaë, the daughter of Acrisius of Argos. As an infant he was cast into the sea in a chest with his mother by Acrisius, to whom it had been prophesied that he would be killed by his grandson. A [..] deed attributed to Perseus was his rescue of the Ethiopian princess Andromeda when he was on his way home with Medusa's head. Andromeda's mother, Cassiopeia, had claimed to be more beautiful than the sea nymphs, or Nereid ; so Poseidon had punished Ethiopia by flooding it and plaguing it with a sea monster. An oracle informed Andromeda's father, King Cepheus, that the ills would cease if he exposed Andromeda to the monster, which he did. Perseus, passing by, saw the princess and fell in love with her. He turned the sea monster to stone by showing it Medusa's head and afterward married Andromeda. Courtesy of Wikimedia Commons contributor and friend, Dick Osseman.

The Daedalus Mosaic.  The Daedalus and Icarus mosaic. From the Enc. Britt. about Daedalus: (Greek: “Skillfully Wrought”), mythical Greek architect and sculptor, who was said to have built, among other things, the paradigmatic Labyrinth forKing Minos of Crete. Daedalus fell out of favour with Minos and was imprisoned; he fashioned wings of wax and feathers for himself and for his son Icarus and escaped to Sicily. Icarus, however, flew too near the Sun, and his wings melted; he fell into the sea and drowned. The island on which his body was washed ashore was later named Icaria. Courtesy of Wikimedia Commons contributor and friend, Dick Osseman.

The Zeus and Europa Mosaic.  Europa [is] in Greek mythology, the daughter either of Phoenix or of Agenor, king of Phoenicia. The beauty of Europa inspired the love of Zeus, who approached her in the form of a white bull and carried her away from Phoenicia to Crete. There she bore Zeus three sons: King Minos of Crete, King Rhadamanthus of the Cyclades Islands, and, according to some legends, Prince Sarpedon of Lycia. She later married the king of Crete, who adopted her sons, and she was worshiped under the name of Hellotis in Crete, where the festival Hellotia was held in her honour.  Possibly Astypalaia (Europa's sister who was abducted by Poseidon) rides a sea-leopard (pardalokampos). . Courtesy of Wikimedia Commons contributor and friend, Dick Osseman.

 

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Eros, swift as the whirlwinds of the tempest with his glittering wings, depicted on a bronze lamp holder, 1st century BCE, at the Dallas Museum of Art

 Eros, the Greek god of love, is shown as a beautiful youth with both male and female characteristics. The figure was originally part of a lamp holder and would have had an oil lamp on the tendril he holds in an outstretched hand. The sculpture shares in the expressive, dynamic qualities of later Greek Hellenistic art; it appears to be flying on the beautifully detailed wings. The lamp from which the figure came was probably made in the eastern Mediterranean for a wealthy house or villa in Italy. The bronze has been associated with a trove of Greek luxury goods recovered from an ancient shipwreck near the town of Mahdia on the coast of Tunisia. - Anne Bromberg, Dallas Museum of Art.

A cult of Eros existed in pre-classical Greece, but it was much less important than that of Aphrodite. However, in late antiquity, Eros was worshiped by a fertility cult in Thespiae. In Athens, he shared a very popular cult with Aphrodite, and the fourth day of every month was sacred to him (also shared by Herakles, Hermes and Aphrodite). The Orphic and Eleusinian Mysteries portrayed Eros as the child of Night (Nyx).  Influenced by Orphism, 5th century BCE playwright Aristophanes described his birth:

  "At the beginning there was only Chaos, Night (Nyx), Darkness (Erebus), and the Abyss (Tartarus). Earth, the Air and Heaven had no existence. Firstly, blackwinged Night laid a germless egg in the bosom of the infinite deeps of Darkness, and from this, after the revolution of long ages, sprang the graceful Love (Eros) with his glittering golden wings, swift as the whirlwinds of the tempest. He mated in the deep Abyss with dark Chaos, winged like himself, and thus hatched forth our race, which was the first to see the light."

Images: Eros, swift as the whirlwinds of the tempest with his glittering wings, depicted on a bronze lamp holder, 1st century BCE, that I photographed at the Dallas Museum of Art.

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Eros and Psyche: Love and the betrayal of trust

Although we often see Eros, Roman Cupid, depicted as a chubby little winged child, he was also prominently portrayed in ancient literature as the adult husband of Psyche.  The longstanding folktale, codified in Apuleius' Latin novel, The Golden Ass, relates a quest for love and trust between Eros and Psyche. Aphrodite was jealous of the beauty of the mortal princess Psyche, as men were leaving her altars barren to worship a mere human woman instead, and so Aphrodite commanded her son Eros, the god of love, to cause Psyche to fall in love with the ugliest creature on earth. But instead, Eros falls in love with Psyche himself and spirits her away to his home. Their fragile peace is ruined by a visit from Psyche's jealous sisters, who cause Psyche to betray the trust of her husband. Wounded, Eros leaves his wife, and Psyche wanders the Earth, looking for her lost love. Eventually, she approaches Aphrodite and asks for her help. Aphrodite imposes a series of difficult tasks on Psyche, which she is able to achieve by means of supernatural assistance. After successfully completing these tasks, Aphrodite relents and Psyche becomes immortal to live alongside her husband Eros. Together they had a daughter, Voluptas or Hedone (meaning physical pleasure, bliss), the basis for our word hedonistic.

Aphrodite, Eros and Pan, 1st century BCE at the National Archaeological Museum in Athens courtesy of Wikimedia Commons contributor zde.

 Eros (Cupid) and Psyche at the Metropolitan Museum of Art by Antonio Canova, 1794, courtesy of the museum.

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