The Ubians

A history resource article by Mary Harrsch © 2007


I was watching my DVD set of HBO's Rome with a feature activated called "The Road to Rome". This feature displays explanatory notes about references made in the character's dialog or activities that characters are engaged in or watching.

In the episode where Vorenus and Pullo are taking an advance guard to Rome to post a notice that Caesar is on his way, the auxilliary troops that are with them are dressed in furs and carrying slashing swords. The information posted about them was that they were Ubians, a tribe of Germano-Celtic people that allied with Rome and that Caesar employed as bodyguards.

Romeo Model of a Germanic Warrior (54mm) beautifully rendered by artist Sergey Popovichenko

I had not studied anything about them before so I researched them on the web. I found an interesting article about them on The History Files website.

"The Ubii tribal name is an easy one to break down. Without the '-i' plural suffix, the proto-Germanic forms of the word are 'uba' and 'ubaraz', meaning 'up, over, above'. This was retained in Old High German as 'oba', meaning 'up, over’. The tribe seemingly were above everyone. As this wasn't meant in a geographical sense by the middle of the first century BC, it was either meant as an expression of superiority or it related to their original homeland, perhaps at the top of the Jutland peninsula. Given the German habit of using place names for tribal names, this would make sense geographically." - The History Files

It points out that Caesar's foray across the Rhine was supposedly in response to a plea from the Ubians to defend them against the Suevians (also spelled Suebians).

"As recorded by Julius Caesar in his work, Commentarii de Bello Gallico, the Tencteri and Usipetes tribes are driven out of their tribal lands in Germania by the militarily dominant Suevi. This probably places them on the middle Rhine. They force their way into the lands of the Belgic Menapii, also attacking the Condrusi and Eburones tribes. Feigning a withdrawal to lure out the Menapii, the Tencteri and Usipetes defeat them, capture their ships and occupy many of their villages for the winter. 

Caesar, alarmed at this threat to the north of territory in Gaul that he has already conquered, takes a force into the region. After much diplomatic effort and some delays, he attacks the Germanic tribes and drives them back into Germania with heavy losses. Both tribes follow the east bank of the Rhine upstream and find refuge with the Sicambri. They remain settled in these lands for much of the remainder of their existence. Caesar crosses the Rhine to follow them and to show the Germans that Romans are not afraid to stage a counter-invasion. Another reason is that a portion of the cavalry of the Usipetes and Tencteri had not been present at the recent battle. Instead they had proceeded to the territories of the Sicambri to join this tribe, remaining defiant, while uniquely amongst the peoples across the Rhine, the Ubii petition Caesar for help against the oppressive Suevi who until recently have been ruled by the powerful Ariovistus. 

A model of Caesar's Rhine bridge at the Museo nazionale della civiltà romana in Rome, Italy.
Photograph by Jona Lendering cc by-nc-sa 4.0.

 Several other tribes submit to Caesar, but the Sicambri withdraw from their territories on the advice of the Usipetes and Tencteri. Caesar remains in their lands for a few days before burning down their villages and taking their corn. He moves his forces into Ubii territory to show solidarity with them against the Suevi threat before returning to Gaul.

Having left a strong guard with the Treveri following the conclusion of their revolt, Caesar again crosses the Rhine to deal with their German supporters. The Ubii reaffirm their loyalty to him while Caesar discovers that the auxiliaries that had joined the Treveri had been sent by the Suevi. They are drawing together units of infantry and cavalry from all across their vast domain and, having learned of Caesar's approach, they withdraw to the vast wood called Bacenis (a thick forest of beech trees which has been equated with the Harz), which separates the Suevi from the Cherusci. Unwilling to follow them, Caesar fortifies the bridge that connects to the Ubii and stations twelve cohorts there." - The History Files

Wikipedia also had this information:

"They [the Ubians] were transported in 39 BC by Marcus Vipsanius Agrippa to the left bank [of the Rhine]. This was apparently at their own request, as they feared the incursions of the Suevi.

A portrait bust of Marcus Vipsanius Agrippa at The Louvre
in Paris, France.  Photo by Mary Harrsch © 2008

Agrippa founded the city of Cologne as their capital, whose Latin name Colonia Agrippensis is the origin of the current form. The Ubii remained loyal allies of Rome, and were instrumental in crushing the Batavian rebellion in 70. They seem to have been so thoroughly Romanized that they adopted the name Agrippenses in honour of their “founder”, and their later history is submerged in that of eastern Gaul as a whole."

The Oppidum Ubiorum was founded in the first century BC, on a site that had seen occupation since the Neolithic period, but it was Rome that turned it into the city of Cologne.  Public domain image courtesy of The History Files.

Gravestone of an Ubian bodyguard for Nero.  Image courtesy of
Wikimedia Commons.

The Ubians remained loyal to Rome into the 4th century CE with many serving as personal bodyguards to the emperors.  Archaeologists have recovered a gravestone of one such body guard for the emperor Nero.

I also found this interesting legend related to the Ubians:

"The Dogs of St. Cassius

The majestic Minster of Bonn rises high above the surrounding houses. In olden times, when the tribe of the Ubians was still dwelling in that part of the country, a heathen temple stood on that very site. It had been an important place of worship for the whole Rhine valley. The Ubians offered their numerous human sacrifices there.

Some time ago the big altar of the ancient temple was excavated, and is still preserved under the name of Ara Ubiorum. Many prisoners of war and poor slaves have been slain on this mouldering stone.

When St. Helena, mother of Constantine, came to Bonn, the old heathen temple was burnt to ashes. The pious empress destroyed many sanctuaries of the idolaters, and hewed down the gigantic oaks of the sacred forest near. She built a Christian church in the same place, and dedicated it to St. Cassius.

After some time this church was enlarged and embellished. A high tower with slender spires crowned the lofty fane, and big bells hung in the steeples. For long centuries they rang in good and evil days.

Portrait Sculpture of the Empress Helena, mother of Constantine at the Capitoline Museum in
Rome, Italy.  (This 4th century CE sculpture was once thought to be Agrippina The Younger,
the mother of the Emperor Nero)  Photographed by Mary Harrsch  © 2009

In the lapse of time they saw war and peace, joy and woe passing by. They mingled their deep solemn tones with the joyful cries of the populace, when the German Emperor, Frederick the Beautiful, and Charles, Father of Bohemia, marched in splendid procession to the Minster to be crowned.

Whenever the electors of Cologne, who chose Bonn as their residence, were singing high mass in the church below, the bells joined in the Te Deum with their melodious peals.

Originally the Minster was the collegiate church of Saints Cassius and Florentius, who were Roman legionaries of the legendary all-Christian Theban Legion. The legion's garrison, according to legend, was in the Egyptian town of Thebes. Roman Emperor Maximianus Herculius ordered the legion to march to Gaul and assist in subduing rebels from Burgundy. At some point during their march, the legion refused to follow the emperor's orders either to kill fellow Christians or to worship Maximianus Herculius as a god. As a result, a large number of legionaries were martyred in Agaunum, now named Saint Maurice-en-Valais after Saint Maurice. According to legend, Saints Cassius and Florentius, who were under the command of Saint Gereon, were beheaded for their religious beliefs at the present location of the Bonn Minster.  Image courtesy of  Hans Weingartz, Wikimedia Commons CC-BY-SA-3.0-DE

But when the French had pitched their tents in Bonn and the brave warrior Brandenburg lay outside its gates, the Minster bells rang in woeful shrill sounds, for their steeple was set on fire.

Often when a thunderstorm threatened to burst the clouds, the bells gave their clear warning, and rang loudly as if they would drown the roaring of the thunder.

At midnight a thunderstorm round the old Minster is an awful thing. The legend records that as soon as the first growling of the thunder is audible, the idolaters who had dominated the minds of the Ubians during long centuries with their grim rites rise from their ancient burial places that surround the Christian church. United with the gods of darkness, they rage with shrill howlings round the grey building, where now the remains of St. Cassius are resting. They hate the pious saint whose martyrdom converted thousands of heathens.

Busts of Saint Cassius and Saint Florentius at the Bonn Minster.  Image courtesy of Wikimedia Commons.

In vindictive anger they fill the air with burning brimstone, thicken the clouds, and direct lightnings towards the quiet Minster, to devour it with fire. But the saint himself watches over his tomb.

All at once the bells ring, though no human hand has touched the ropes, and sound clearly above the infernal noise below. The spirits of the heathens cry out. "Woe to us, the saint watches, the dogs of Cassius announce us. Woe to us, the dogs of Cassius are barking!"

With these cries and with terrible maledictions they vanish into the night. For a little while the thunder is still heard in the distance, but soon a deep stillness envelops the high Minster once more. Undamaged and as serene as ever, it stands pointing majestically towards heaven.

Time however, which has destroyed so many of the old customs, has hushed the dogs of Cassius into silence The bells of the Minster sound no more of their own accord at the approach of a thunderstorm at midnight.

Yet let us hope that in spite of this, the saint watches from heaven over his town, and will preserve his sanctuary for many years to come. "

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Roman Military Camp Display Reopens in Slovakia

"Visitors to the renovated Roman Gerulata military camp in the Bratislava district of Rusovce experienced the atmosphere of ancient Rome on September 8.

Hundreds of visitors, mainly whole families, took advantage of the free admission to the camp. The all-day events ended with a two-hour 'Roman Freakshow' in the evening, in which Cleopatra, the Empress Minerva, Cicero, and other leading figures of the period came back to life.

The Roman Gerulata military camp is a national cultural monument administered by the Bratislava City Museum. It was built in the second half of the first century to defend the border of the Empire.

The camp was under renovation from February 1, 2006 until July 31, 2007, and it was re-opened with a special Roman Games this summer. The European Union and the Slovak government made a joint contribution of Sk4.3 million (€127,000) to finance the project, along with Sk500,000 from the City of Bratislava."

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Lebanese play "Zenobia" draws cultural and historical parallels

A history resource article by Mary Harrsch © 2007

Queen Zenobia's Last Look Upon Palmyra, by Herbert Gustave Schmalz
Image courtesy of Wikimedia Commons

This play sounds fascinating! I am presently reading The Chronicle of Zenobia by Judith Weingarten so the characters portrayed in this performance are known to me. Zenobia's leadership in a culture where women were seldom seen and not officially heard is nothing short of miraculous. Her adaptability is even more amazing as, unlike her distant relation Cleopatra, Zenobia endured being the captured prize in a Roman triumph and even later married a Roman senator. I wish I could see this play. I wonder if anyone has thought about filming it?

"History is a mirror of the future," says Oussama Rahbani. "If you don't have a history, you don't have a future." It was with this notion of embracing the past in order to greet the future that Lebanese composer Mansour Rahbani, in collaboration with his sons Marwan, Oussama, and Ghady Rahbani, created the epic musical "Zenobia," which opened a five-night run on Wednesday evening for the Byblos International Festival, in the old port city north of Beirut.

Though in many ways a tragedy, ending in defeat and suicide, the play is at heart a celebration - of culture, music and freedom, and, perhaps more forcefully, of the strength, determination and ferocity of the female spirit.

What makes "Zenobia" enveloping and believable is the plot's adherence to the play's historical foundation. Zenobia was the third-century queen of Palmyra, an oasis in the desert of central Syria fueled by caravans snaking along the Silk Road. Sandwiched between the two great powers of the day, the Persians to the east and the Romans to the west, the city was caught between two empires jockeying for position. Palmyra became a Roman province in the first century.

A head said to represent Odenathus in the Palmyra
Museum.  Image courtesy of Wikimedia Commons.

When her husband Odenathus was murdered along with his heir, Zenobia, ruling in the stead of her young son Vaballathus, rebelled against Rome. She was eventually defeated and hauled off to answer for her defiance but not before liberating greater Syria, Palestine and parts of Egypt.

With this historic episode as a reference, the Rahbanis succeed in fabricating a performance of savory meaning and depth. This is not to say that they do it alone - close to 100 actors and actresses took the stage on Wednesday night, with a supporting army of technicians, designers, choreographers and assistants - but the creative energy behind the production is exemplary of the quality of theater Lebanese audiences have come to expect from a Rahbani production.

The play opens with a dream sequence in which Zenobia, played by Carole Samaha, receives a prophecy from Cleopatra that she will be ruler of the East. In reality Cleopatra was Zenobia's idol - she even claimed to have descended from her as Zenobia's mother hailed from Egypt. But in the play, Cleopatra takes on the additional role of Zenobia's subconscious, mentor and, at times, tormentor.

Odenathus, the king of Palmyra, returns with the army from a victorious battle against the Persians. While Zenobia asserts that the victory belongs to Palmyra and not Rome, her counselor Longinus - modeled after the queen's real-life advisor, the philosopher and rhetorician Cassius Dionysius Longinus - tries to convince her to break away from Rome. Zenobia is reluctant to cut the alliance, even though she remains intensely tethered to the East.

This state of affairs does not last long, however. Odenathus travels to Emesa (modern day Homs in Syria) against the advice of Zabdai (played by Ghassan Saliba), the leader of Palmyra's army. There the king is betrayed by his nephew Ismail Maeonus, who, after killing Odenathus and his son, declares himself "the king of kings."

Zenobia, who now fears that her city will be trampled underfoot by the Persians and Romans alike, takes charge and vows to extend her territory into Asia Minor and up to the gates of Rome itself."

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Syrian mosaics restored in Ravenna featured in exhibit

A history resource article by Mary Harrsch © 2007

A Syrian mosaic fragment from the late Roman
Period.

The following article was a press release from ANSI.

Ravenna, the capital of Roman and Byzantine mosaics, has turned its hand to a fresh clutch of works, restoring a number of priceless designs on loan from Syrian museums.

"The mosaics, which are currently on display, were created by artists during the late Roman period, when Syria was a province of the Roman Empire.
Ravenna was the centre of late Roman mosaic art in the fifth century CE but Syria was also considered a crucial production point."

 "Its capital Antioch was particularly renowned, and it was for a long time one of the most important areas of mosaic production in the entire Roman Empire."

“Mosaici d’Oriente. Tessere sulla via di Damasco” (“Mosaics of the East. Tiles on the Road to Damascus”) will showcase a selection of precious artworks from this era.
Most of the mosaics were designed for the floor and feature a variety of animals, symbolic designs whose meaning is still being studied by experts."

"One shows a series of animal pairs — a zebra and a lion, a cheetah and a unicorn — facing a fruit tree. Another depicts identical pairs of birds and quadrupeds standing next to a large urn."

"A third panel shows scenes from a hunt, including animals chasing one another, against a background of stylized rose-designs."

"The exhibition, the result of months of careful restoration work by Ravenna experts, is the second in a series of collaborations between the western Italian city and Syria." 

"A show last year focusing on the golden age of Ravenna, explored the town’s influence throughout the Mediterranean and included a number of Syrian mosaics among its 100 pieces on show."

"Ravenna developed rapidly after first replacing Rome as capital of the western Roman Empire in the fifth century CE and then becoming the capital of the Byzantine Empire."

"Its rulers built the finest Byzantine churches outside Constantinople and to this day, the city retains its name as the ‘Capital of Mosaics.’"

"Among the city’s most famous pieces is its Mausoleum of Galla Placidia, from 425-430, which shows a gold cross in the middle of a starry sky. Later pieces, completed after Ravenna was conquered by the Byzantine Empire, include mosaics in the Basilica of San Vitale, showing a series of scenes from the Old Testament, and small sequences in the Basilica of Sant’Apollinare Nuovo, depicting Christ’s miracles and parables on one side, and the Passion and Resurrection on the other.""

The Good Shepherd mosaic from the Mausoleum of Galla Placidia in Ravenna, Italy, a World Heritage Site.
Image courtesy of Wikimedia Commons.

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Julian the Apostate's support of the Jews

A history resource article by Mary Harrsch © 2007

Julian the Apostate presiding at a conference of sectarians by Edward Armitage, 1875.  Image courtesy of
Wikimedia Commons.

I found this article about Julian's support for the reconstruction of the Jewish Temple in Jerusalem quite interesting. I have read Michael Curtis Ford's "Gods and Legions", a novel about the life and reign of the emperor Julian and gained an admiration for this "soldier, inspired military commander and rhetorician" despite the centuries of vilification heaped upon him by subsequent Christian rulers.

"The Roman Emperor Julian, who ruled 361-363 CE, called on the Jews to return to the Land of Israel and rebuild their Temple in Jerusalem. Whatever his motives, he showed our ancestors unusual respect and understanding. 

Julian was hardly an ordinary emperor, though history has failed to pay sufficient attention to his policies. In Julian, the Romans had a just ruler and brave soldier. He was a modest man who labored to relieve the distress of his subjects while endeavoring to connect authority with merit and happiness with virtue. 

A bronze coin portrait of the Emperor Julianus II (the Apostate)

As a young soldier Julian subdued, against the odds, the German threat in Gaul with a small force. He ruled ancient Gaul with wisdom and authority, hardly ever seeking a personal gain. He slept on the ground with his legionnaires, earning their respect. Julian was an excellent organizer, an honest judge, a writer and a philosopher. 

Brought up as a Christian, Julian rejected the religion and turned back to the paganism of Greek and Roman days. He argued that Christianity would weaken and ultimately destroy the Roman Empire. As a result, he attempted to restore Hellenism, which earned him everlasting Christian disdain. 

Known to Christians as Julian the Apostate, the emperor restored pagan temples and the cult of the old Roman gods. These were to be served by a reform-minded pagan clergy with high moral character, who would compete with the Christian clergy in meeting the religious needs of the people. 

Julian remains famous for having declared absolute freedom for all religious beliefs - making him perhaps the first leader to extend toleration of religion to all Romans. 

ON THE July 19, 362 C.E., Julian left Constantinople and arrived in Antioch to prepare for the invasion of Persia. However busy he must have been, he met with "the chiefs of the Jews." 

The details of this fascinating meeting, preserved only in Christian sources, are cited in Michael Avi Yona's The Jews under Roman and Byzantine Rule - A Political History from the Bar Kochba War to the Arab Conquest. 

Julian, who wanted to form a common cause with the Jews against Christianity, asked: "Why do you not sacrifice to God, as required by the laws of Moses?" 

The Jews replied: "We are not allowed by our laws to sacrifice outside our Holy City. How can we do it now? Restore to us the City, rebuild the Temple and the altar, and we shall offer sacrifices, as in days of old." 

He promised: "I shall endeavor with the utmost zeal to set up the Temple of the Most High God." 

THE RESTORATION of the Jewish Temple in Jerusalem would, in Julian's opinion, defeat the Christian argument of replacement theology - that the Church was the true Israel, and that the Temple's destruction and the subsequent exile was the just punishment suffered by the Jewish people for the Crucifixion. The Temple's restoration, Julian figured, would persuade Christian converts that God still favored the Jewish people. 

As an army commander, embarking on a war against a formidable Persian enemy, Julian could also expect that the Jews of Mesopotamia would assist his legions. But there can also be no doubt that Julian's attitude of fairness and his respect for the stubborn stand of the Jewish remnant played a role in his desire to achieve a Jewish restoration. 

In his "Four Letters" addressed to the Jewish people, Julian recognized their dire situation and appealed to them to join him in his campaign. That's a vast difference from the Persian ruler Cyrus, who had only allowed the Jews to rebuild the Temple; Julian virtually ordered them to do so, and perhaps, upset by their initial hesitation, appointed Alypius, a pagan native of Antioch and his best friend, to supervise the work. 

In a letter to the Jewish Patriarch Hillel II, residing in Tiberias, Julian abrogated the entire gamut of anti-Jewish legislation and recognized Jewish authority in Israel, including the right to levy taxes. 

ACCORDING TO the Christian sources, there was considerable initial enthusiasm among the Jews of Diaspora. Many purses were opened. But other leading Jews were confused and apprehensive. The community had only recently suffered yet another painful defeat in the failed uprising against Gallus (351 C.E.), which erupted in protest against discriminatory anti-Jewish legislation. The Patriarchate had lost Lydda, the few remaining settlements in Judea and several vital Galilean villages. 

A 354 CE sketch of Constantius Gallus.  Image courtesy of Wikimedia Commons.

The people quoted a verse from Daniel (11:34): "Now when they shall stumble, they shall be helped with a little help; but many shall join themselves unto them with blandishments." 

The Jews were doubtless divided between those who believed that Julian was a savior and those who remembered Rabbi Simon Ben Eliezer's warning against the youthful enthusiasm of the second generation after the Bar Kochba disaster: "If children tell you: 'Go, build the Temple - do not listen to them.'" 

Above all, could Jewish hopes depend on the fortunes of one man? 

In the end, no attempt was made to set up a temporary altar and offer sacrifices on the former Temple grounds, as the Maccabeans had done. While the Jews could not oppose the will of the Roman emperor, they could drag their feet. Apparently the majority did. They remembered Rome as Amalek, not as a benefactor. 

THE WORK ordered on the Temple's foundation advanced slowly. It took time to provide silver spades and pickaxes, since no iron was allowed to be used. And then, according to the Roman writer Ammianus, "balls of fire" supposedly erupted from the foundations and rendered the place inaccessible. 

The Christian majority of Jerusalem described this fire in glowing terms, as a splendid miracle, a further proof of the rightness of Christianity. The Jews suspected Christian arson. Meanwhile Alypius, Julian's pagan friend, seemed hardly in a hurry to carry out the emperor's order."

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